Daw -Recorders

By BY DAVE HILL JR. ⋅ Published: 09/01/2002

In case you missed it, the battle over software supremacy just got a little hotter. Both Emagic and Steinberg have upped the ante in...

By Laura Pallanck ⋅ Published: 09/01/2002

Ableton really did its homework when it came out with its loop sequencer Live. The program was designed as a real-time performance tool to...

By George Petersen ⋅ Published: 08/01/2002

Tascam's US-428 is a multipurpose unit combining onboard 16/24-bit converters (44.1 or 48 kHz), audio-to-USB conversion, a MIDI interface and a mix control

By By Erik Hawkins ⋅ Published: 07/01/2002

Have you ever wished for a way to record takes without cluttering up your hard drive with files? Many of today's best digital audio...

By BY DAVE HILL JR. ⋅ Published: 06/01/2002

In October 2001, Ableton released one of the first software applications designed specifically for live performance, Live 1.0. Now, with the imminent

By By Erik Hawkins ⋅ Published: 05/01/2002

Mark of the Unicorn's Digital Performer has been a staple in my production studio ever since I connected MIDI instruments to an 8MHz Mac...

By BY DAVE HILL JR. ⋅ Published: 04/01/2002

It is no secret that German manufacturers produce some of the most innovative and exciting audio software on the market. Companies like Emagic, Native

By Atom Troy ⋅ Published: 04/01/2002

WaveLab has been with us for quite some time and has evolved into quite a powerful and popular digital editing and mastering software package....

By BY DAVE HILL JR. ⋅ Published: 01/01/2002

In 2001, the Propellerheads software team released the virtual, modular rack synthesizer/sampler/sequencer/drum machine combo Reason 1.0, and a sweeping