Awards Ceremony Scheduled for Sunday, March 3, 2024 in Los Angeles.
HOLLYWOOD—The Motion Picture Sound Editors (MPSE) today announces nominees for the 71st Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.
“It’s been a great year for entertainment sound,” said MPSE president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”
The 71st Annual MPSE Golden Reel Awards will take place on Sunday, March 3, 2024 at the Wilshire Ebell Theatre in Los Angeles.
MPSE FILMMAKER AWARD
Michael Dinner
MPSE CAREER ACHIEVEMENT AWARD
Dane A. Davis, MPSE
71st Annual MPSE Golden Reel Awards Sound Editorial Nominees
Outstanding Achievement in Sound Editing – Broadcast Animation
Rick and Morty: “Unmortricken”
Cartoon Network
Supervising Sound Editor: Hunter Curra MPSE
Sound Editor: James A. Moore
Sound Effects Editor: Corbin Bumeter
Dialogue Editor: Ricardo Watson
Star Trek Lower Decks: “Old Friends, New Planets”
Paramount+
Supervising Sound Editor: James Lucero
Sound Effects Editors: Mak Kellerman, John Wynn
Foley Editor: Michael Britt
Star Wars: The Bad Batch: “Faster”
Disney
Supervising Sound Editors: David W. Collins, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick
Supervising Foley Editor: Frank Rinella
Foley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard
Star Wars: Visions: “The Pit”
Disney
Supervising Sound Editor: David W. Collins
Sound Designer: David W. Collins
Sound Effects Editors: Kevin Bolen MPSE, Bill Rudolph
Dialogue Editor: David W. Collins
Supervising Foley Editor: Alex Wilmer
Foley Artists: Shelley Roden MPSE, Xiuzhu (Mimi) Guo
Transformers: Earthspark: “Security Protocols”
Nickelodeon
Supervising Sound Editor: Brad Meyer MPSE
Sound Effects Editor: Natalia Saavedra Brychcy MPSE
Dialogue Editor: Christine Gamache
Foley Editor: Carol Ma MPSE
Young Jedi Adventures: “The Young Jedi/Yoda’s Mission”
Disney
Sound Effects Editor: Heather Olsen MPSE
Dialogue Editor: Robbi Smith MPSE
Foley Editor: David Bonilla MPSE
Foley Artist: John “J” Lampinen
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
All the Light We Cannot See: Episode 4
Netflix
Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE
Dialogue Editors: Emma Present, Jill Purdy MPSE
Succession: “Connor’s Wedding”
HBO
Supervising Sound Editor: Nicholas Renbeck MPSE
Dialogue Editor: Dan Korintus
Supervising ADR Editor: Angela Organ
Dialogue Editor/ ADR Editor: Andy Kris
Ted Lasso: “So Long, Farewell”
AppleTV+
Supervising Sound Editor: Brent Findley MPSE
Dialogue Editors: Bernard Weiser MPSE, Bruce Hond, Scott Haller MPSE
ADR Editor: Daniel Douglass MPSE
The Crown: “Ritz”
Netflix
Supervising Sound Editor: Lee Walpole MPSE
Supervising Dialogue Editor: Iain Eyre
ADR Supervisor: Steve Little
ADR Editors: Abbie Shaw, Matthew Mewett
The Last of Us: “Long, Long Time”
HBO
Supervising Sound Editor: Michael J. Benavente
Dialogue Editor: Joe Schiff
The Marvelous Mrs. Maisel: “Four Minutes”
Amazon Prime
Supervising Sound Editor: Ron Bochar
Dialogue Editor: Sara Stern
ADR Editor: Ruth Hernandez MPSE
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
Ahsoka: “Part Four: Fallen Jedi”
Disney
Supervising Sound Editors: Bonnie Wild, Matthew Wood
Sound Designer: David Acord
Sound Effects Editors: Kimberly Patrick, Tim Farrell
Supervising Foley Editor: Joel Raabe
Foley Artist: Shelley Roden MPSE, Ronni Brown, Heikki Kossi MPSE
All the Light We Cannot See: Episode 4
Netflix
Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE
Sound Effects Editor: David Grimaldi
Foley Editor: Matt Cloud
Foley Artist: Steve Baine
The Continental: From the World of John Wick: “Theatre of Pain”
Peacock
Supervising Sound Editor: Luke Gibleon
Sound Designer: Nick Interlandi
Sound Effects Editor: Joshua Adeniji
Foley Editors: Adrian Medhurst MPSE, Duncan Campbell
Foley Artist: Adrian Medhurst MPSE
Loki: “Glorious Purpose”
Disney
Supervising Sound Editor: Bjørn Ole Schroeder
Sound Designer: David Chrastka
Sound Effects Editors: Andre Zweers, Malcolm Fife, Jamey Scott MPSE
Supervising Foley Editor: Alyssa Nevarez
Foley Editor: Dawit Zemene MPSE
Foley Artist: Sandra Fox
Star Trek: Picard: “The Last Generation”
Paramount+
Supervising Sound Editor: Matthew E. Taylor
Sound Designers: Michael Schapiro, Harry Cohen MPSE
Sound Editors: Alex Pugh MPSE, Deron Street
Foley Editors: John Sanacore MPSE, Clay Weber MPSE
Foley Artist: Rick Owens MPSE
The Last of Us: “When You’re Lost in the Darkness”
HBO
Supervising Sound Editor: Michael J. Benavente
Sound Designers: Chris Battaglia MPSE, Chris Terhune
Sound Effects Editors: Mitchell Lestner, Matt Yocum MPSE
Supervising Foley Editor: Randy Wilson
Foley Editors: Davi Aquino, Justin Hale
Foley Artists: Justin Charbonneau, Stefan Fraticelli, William Kellerman
Outstanding Achievement in Sound Editing – Broadcast Short Form
American Horror Story: Delicate Part 1: “When the Bough Breaks”
FX
Supervising Sound Editors: Christian Buenaventura MPSE, Gary Megregian MPSE
Sound Effects Editor: Tim Cleveland
Dialogue Editor: Steve Stuhr
Foley Editor: Sam Munoz
Foley Artist: Noel Vought
Barry: “wow”
HBO
Supervising Sound Editors: Sean Heissinger, Matthew E. Taylor
Sound Designer: Rickley W. Dumm MPSE
Sound Editor: Deron Street
Dialogue Editor: John Creed MPSE
Supervising Foley Editor: Clay Weber MPSE
Foley Editor: Darrin Mann
Foley Artists: Alyson Dee Moore MPSE, Chris Moriana
BEEF: “The Great Fabricator”
Netflix
Supervising Sound Editor: Christopher Gomez MPSE
Sound Effects Editor: Jerry Lafuente MPSE
Dialogue Editor: Nathan Efstation
Foley Editor: Igor Yashin
Foley Artist: Ruslan Schebisty
The Bear: “Fishes”
FX
Supervising Sound Editors: Steve “Major” Giammaria MPSE, Andrea Bella
Sound Effects Editor: Matt Snedecor
Dialogue Editors: Evan Benjamin, John Werner
ADR Editor: John Bowen
Foley Editor: Annie Taylor
Foley Artists: Leslie Bloome, Shaun Brennan
The Mandalorian: “The Return”
Disney
Supervising Sound Editors: Trey Turner, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE
ADR Editors: Brad Semenoff MPSE, Ryan Coda
Supervising Foley Editor: Frank Rinella
Foley Editors: Joel Raabe, Alyssa Nevarez
Foley Artist: Shelly Roden MPSE
Outstanding Achievement in Sound Editing – Feature Animation
Elemental
Disney / Pixar
Supervising Sound Editors: Ren Klyce, Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathan Stevens, Ben Burtt, Kim Patrick, Steve Bissinger
Supervising Dialogue Editor: Rich Quinn
Dialogue Editor: Lisa Chino
Supervising Foley Editor: Dee Selby
Foley Editor: Nicolas Docter
Foley Artists: Shelley Roden MPSE, Heikki Kossi MPSE
Migration
Illumination
Supervising Sound Editors: Daniel Laurie, Josh Gold
Sound Effects Editors: Richard Gould, Luke Dunn-Gielmuda, Scott Guitteau
Supervising Foley Editor: Thom Brennan
Foley Editor: E. Larry Oatfield
Foley Artists: Sean England, Andrea Gard
Music Editor: Bill Bernstein
Spider-Man: Across The Spider-Verse
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley
Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul
Supervising Dialogue Editor: James Morioka MPSE
Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay
Foley Supervisor: Colin Lechner MPSE
Foley Artist: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott
The Super Mario Bros Movie
Universal Pictures
Supervising Sound Editor: Daniel Laurie
Sound Designers: Randy Thom MPSE, Jamey Scott MPSE
Sound Effects Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott Guitteau
Supervising Foley Editor: E. Larry Oatfield
Foley Editor: Zach Martin
Foley Artists: Ronni Brown, Jana Vance, Sean England
Outstanding Achievement in Sound Editing – Feature Documentary
32 Sounds
ArKtype
Supervising ADR Editor: Eliza Paley
Sound Designer: Mark Mangini MPSE
Sound Editor: Robert Kellough MPSE
ADR Editor: Mari Matsuo
Foley Artist: Joanna Fang MPSE
American Symphony
Higher Ground Productions
Supervising Sound Editor: Tristan Baylis MPSE, Tom Paul
Foley Artist: Leslie Bloome
Sound Effects Editors: Matt Snedecor, Mark Filip
Mourning In Lod
Medalia Productions
Supervising Sound Editors: Yossi Appelbaum, Lior Weitzman
Sound Designer: Yossi Appelbaum
Still: A Michael J. Fox Movie
AppleTV+
Supervising Sound Editor: Skip Lievsay
Sound Effects Editor: Rich Bologna
Dialogue Editor: Michael Feuser
Foley Supervisor: Matt Haasch
Foley Editor: Heather Gross
Foley Artist: Jay Peck
Taylor Swift | The Eras Tour
Taylor Swift Productions
Sound Editor: Phil DeTolve
Music Supervisor: David Cook
Outstanding Achievement in Sound Editing – Foreign Language Feature
Anatomy of a Fall
NEON
Sound Editors: Fanny Martin, Jeanne Delplancq
The Zone of Interest
A24
Supervising Sound Editor: Johnnie Burn MPSE
Sound Effects Editors: Simon Carroll, Max Behrens, Joe Mount, Brendan Feeney
Foley Editors: Ewa Mazurkiewicz, Natalia Lubowiecka MPSE, Dawid Konecki, Kamil Kwiatkowski
Godzilla Minus One
Robot Communications
Foley Artist: Natsuko Inoue
Society of the Snow
Netflix
Supervising Sound Editors: Oriol Tarragó, Iosu Martinez, Guillem Giró
Foley Artists: Erik Vidal, Kiku Vidal
Sound Editors: Sarah Romero, Marc Bech, Brendan Golden
Sound Designer: Oriol Tarragó
Music Editor: John Finklea
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
Barbie
Warner Bros.
Supervising Sound Editors: Ai-Ling Lee, Dan Kenyon
Supervising Dialogue / ADR Editor: Brian Bowles MPSE
Dialogue Editors: Kate Bilinski, Tony Martinez, Tyler Newhouse
Killers of the Flower Moon
AppleTV+
Supervising Sound Editors: Philip Stockton, Eugene Gearty
Dialogue Editors: Julia Stockton, Philip Stockton
ADR Editor: Marissa Littlefield
Maestro
Netflix
Supervising Sound Editors: Richard King, Rich Bologna
Supervising Dialogue / ADR Editor: Tony Martinez
Dialogue Editors: Eliza Paley, Jac Rubenstein, Fred Rosenberg
Supervising Music Editor: Jason Ruder
Napoleon
AppleTV+
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Supervising Dialogue Editor: Michael Maroussas
Dialogue Editor: Rachael Tate MPSE
Oppenheimer
Universal Pictures
Supervising Sound Editor: Richard King
Supervising Dialogue Editor: David Bach
Dialogue Editors: Russell Farmarco, Albert Gasser MPSE
Poor Things
Searchlight Pictures
Supervising Sound Editor: Johnnie Burn MPSE
Dialogue Editors: Tristan Baylis MPSE, Peter Russell
Outstanding Achievement in Sound Editing – Feature Effects / Foley
Gran Turismo
Columbia Pictures
Supervising Sound Editors: Kami Asgar MPSE, Erin Oakley
Sound Designer: Charles Deenen
Sound Effects Editors: Sam Fan, Matt Cavanaugh MPSE
Sound Designer: Tim Gedemer MPSE
Foley Artists: Gary Hecker MPSE, Mike Horton
Foley Editor: Jessica Parks
Ferrari
NEON
Supervising Sound Editors: Tony Lamberti, Bernard Weiser MPSE
Sound Designer: David Wentz
Sound Effects Editor: Brent Findley MPSE, Steven Ticknor, Benjamin Cook MPSE
Supervising Foley Editor: Beso Kacharava MPSE
Foley Artist: Biko Gogaladze
Foley Editors: Alexander Sanikidze, Rati Chkhetiani
John Wick Chapter 4
Lionsgate
Supervising Sound Editor: Paul Soucek MPSE
Sound Designers: Mark Stoeckinger, Luke Gibleon, Olivia Xiao’ou Zhang MPSE, Stephen Robinson MPSE, Gael Nicolas
Sound Effects Editors: Casey Genton, Nicolas Interlandi
Napoleon
AppleTV+
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Mike Fentum, Hugo Adams
Sound Effects Editors: Aran Clifford, Kevin Penney, Rowan Watson
Foley Artists: Oliver Ferris, Sue Harding
Oppenheimer
Universal Pictures
Supervising Sound Editor: Richard King
Sound Effects Editor: Michael Mitchell
Sound Designer: Randy Torres
Supervising Foley Editor: Christopher Flick
Foley Artists: Dan O’Connell, John Cucci MPSE
The Killer
Netflix
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathon Stevens, Malcolm Fife
Supervising Sound Editor: Jeremy Molod
Supervising Foley Editor: Thom Brennan
Foley Editor: Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE
Outstanding Achievement in Sound Editing – Non-theatrical Animation
Blue Eye Samurai: “All Evil Dreams and Angry Words”
Netflix Animation
Supervising Sound Editor: Myron Nettinga
Supervising Dialogue Editor: Paulette Lifton MPSE
Sound Designers: Sam Hayward, Jared Dwyer MPSE, Andrew Miller MPSE
Sound Editor: Johanna Turner
Foley Artists: Jason Charbonneau, Stefan Fraticelli
Foley Editor: Justin Helle
Blue Eye Samurai: “Hammerscale”
Netflix Animation
Supervising Sound Editor: Paul N.J Ottosson
Sound Effects Editor: Leo Marcel
Dialogue Editor: Daniel Saxlix MPSE
Foley Editor: Shawn Kennelley
Foley Artists: Melissa Kennelley, Vince Nicastro
Justice League: “Warworld”
Warner Bros. Animation
Sound Designer: Robert Hargreaves MPSE
Supervising Dialogue Editor: Mark Keatts
Dialogue Editors: Mike Garcia MPSE, Kelly Foley-Downs
The Monkey King
Netflix Animation
Supervising Sound Editors: David Giammarco, Eric A. Norris MPSE
Dialogue Editor: Sean Massey MPSE
Sound Designers: Jon Title MPSE, Tim Nielsen
Foley Artists: Dan O’Connell, John Cucci MPSE
Outstanding Achievement in Sound Editing – Non-theatrical Documentary
100 Foot Wave: “Lost at Sea”
HBO
Supervising Sound Editor: Keith Hodne
Dialogue Editor: Max Holland
Sound Designer: Eric Di Stefano
Sound Effects Editors: Eli Akselrod, Mika Anami
Sound Designer: Kevin Senzaki MPSE
David Attenborough’s Conquest of The Skies
Atlantic Productions
Supervising Sound Editor/ Sound Designer: Oliver Kadel
Formula 1: Drive to Survive: “Over the Limit”
Netflix
Supervising Sound Editors: Steve Speed, Nick Fry
Sound Supervisors: Adam King, Doug Dreger
Sound Designers: Ivan Onek, James Spooner
Our Planet II: “Chapter 3: The Next Generation”
Netflix
Sound Editor: George Fry
Waco: American Apocalypse “In the Beginning…”
Netflix
Supervising Sound Editor: Trip Brock MPSE
Sound Designer: Itai Levy
Sound Effects Editor: Eric Gillingham MPSE, GW Pope, III
Dialogue Editor: Jackie Johnson
World War II: From the Front Lines: “Turning Point”
Netflix
Supervising Sound Editor: Luke Hatfield
Sound Designer: Sophie-Alice Davies
Outstanding Achievement in Sound Editing – Non-theatrical Feature
Black Mirror: Beyond the Sea
Netflix
Supervising Sound Editor: Antony Bayman
Dialogue/ADR Editor: Alex Sawyer
Sound Effects Editor: Jane Lo
Supervising Foley Editor: Adam Méndez
Foley Editor: Rob Davidson
Foley Artist: Sue Harding
The Last Kingdom: Seven Kings Must Die
NBCUniversal
Supervising Sound Editor: Jack Gillies
Dialogue/ADR Supervisor: Michael Williams
ADR Editor: Steve Berezai
Foley Editor: Neale Ross
Foley Artist: Jason Swanscott
Mr. Monk’s Last Case: A Monk Movie
Peacock
Supervising Sound Editor: Brent Findley MPSE
Sound Effects Editor: Dan Kremer MPSE
Dialogue Editor: Dan Douglass MPSE
Foley Artist: Brian Staub
Publish or Perish
Alation Media
Supervising Sound Editor: Leslie Gaston-Bird MPSE
Supervising Foley Editor: Anna Sulley MPSE
Dialogue Editors: Lora Cornes, Naomi Graham, Jahmai Bruce
Foley Artists: Ruth Sullivan, Karo Jedrzejczyk
71st Annual MPSE Golden Reel Awards Music Editorial Nominees
Outstanding Achievement in Music Editing – Broadcast Long Form
Daisy Jones and the Six: “Track 8: Looks Like We Made It”
Amazon Prime
Supervising Music Editor: Amber Funk MPSE
Music Editor: Mike Poole
Fargo: “The Tiger”
FX
Music Editor: Ben Schor
Loki: “Glorious Purpose”
Disney
Supervising Music Editor: Anele Onyekwere
Music Editors: Nashia Wachsman, Richard Armstrong, Ed Hamilton
The Last of Us: “When You’re Lost in the Darkness”
HBO
Music Editor: Maarten Hofmeijer
The Marvelous Mrs. Maisel: “Susan”
Amazon Prime
Lead Music Editor: Annette Kudrak
Ted Lasso: “Sunflowers”
AppleTV+
Lead Music Editor: Richard David Brown MPSE
Outstanding Achievement in Music Editing – Broadcast Short Form
BEEF: “The Great Fabricator”
Netflix
Music Editors: Jason Tregoe Newman, Bryant J. Fuhrman, Andrew Ransom
Dave: “Met Gala”
Hulu
Supervising Music Editor: Amber Funk MPSE
Music Editor: James Sullivan
Only Murders in the Building: “Opening Night”
Hulu
Music Editor: Micha Liberman
The Bear: “Fishes”
FX
Music Editors: Jason Lingle, Jeff Lingle
Outstanding Achievement in Music Editing – Documentary
American Symphony
Netflix
Lead Music Editor: Ignacio Bonet
Pianoforte
Greenwich Entertainment
Supervising Music Editor: Michal Fojcik MPSE
Music Editor: Joanna Popowicz
Still: A Michael J. Fox Movie
AppleTV+
Music Editor: Bill Bernstein
WHAM!
Netflix
Music Editor: Greg Gettens
Outstanding Achievement in Music Editing – Feature Motion Picture
Barbie
Warner Bros.
Supervising Music Editor: Suzana Perić
Music Editor: Mick Gormaley
Creed III
Amazon / MGM
Music Editor: Nicholas Fitzgerald
Maestro
Netflix
Supervising Music Editor: Jason Ruder
Music Editor: Victoria Ruggiero
Oppenheimer
Universal Pictures
Supervising Music Editor: Amanda Goodpaster
Music Editors: Felipe Pacheco, Alex Gibson
Spider-Man: Across the Spider-Verse
Sony Pictures
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott
Wonka
Warner Bros.
Supervising Music Editor: Katrina Schiller MPSE
Music Editors: Mark Willsher MPSE, Michael Connell, Janet Grab
71st Annual MPSE Golden Reel Awards Game Editorial Nominees
Outstanding Achievement in Sound Editing – Game Dialogue / ADR
Alan Wake 2
Remedy Entertainment
Audio Director: Richard Lapington
Senior Dialogue Designers: Taneli Suoranta, Arthur Tisseront
Call Of Duty: Modern Warfare III
Infinity Ward
Audio Director: Matthew Grimm MPSE
Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE
Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin
Supervising Dialogue Editors: Dave Natale, Alexandria Kiser, Alvaro Vela
Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Collin Ayers
Expert Audio Artists: Jomo Kangethe, Kyle Fraser
Senior Audio Artist: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson
Audio Artists: Tyler Cannan, Liam Underwood, Shawn Maldonado, Stephan Vankov, Pierce Cram, Dave Rowe MPSE, Brian Tuey, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins
Dialogue Director: Scott Cresswell
Senior Dialogue Editor: Andrew Giardino
Audio Programmer: Don Veca
Dialogue Editors: Samuel Hoffman, Michal Jaskuła, Daniel Granberg, Aaron Wolff, Alejandro Jaramillo, Sergio Jaskuła, Sebastian Martinez, Rafael Castaño, Andrew Rice, Austin Conway, Colette Dahanne, Gustavo Bruce, Hilary Long, Jacob Kinch, Terrence Vitali, Serge J. Isaac, Stefan Richter, Carlon Assells, Emilio Lopez-Centellas
Marvel’s Spider-Man 2
Insomniac Games
Supervising Dialogue Designers: Ryan Schaad, Benjamin Gendron-Smith
Director, Audio Management: Karen Read
Audio Managers: Jesse James Allen, Patrick Michalak
Senior Manager, Dialogue: Leilani Ramirez MPSE
Senior Dialogue Designer: Jaime Marcelo, Alyssa Galindo
Senior Director of Sound: Phillip Kovats MPSE
Dialogue Lead: Harrison Deutsch
Dialogue Director: Keith Asack
Dialogue Designers: Daniel Davila, Evan Hodick, Matthew Strasser, Michelangelo Muscariello, Mitchell Kenney, Tyler Held MPSE, Emma Burlingame, Rory Given
Dialogue Editors: Glen Gathard, Luke Duffin, Dionne Wong, Eugene Tong Haw Cheng, Huberth Varela, Harry Watchman, Robert Kubicki
Star Wars Jedi: Survivor
Respawn Entertainment
Dialogue Lead: Harrison Deutsch
Senior Dialogue Editor: Nick Friedemann
Outstanding Achievement in Music Editing – Game Music
Alan Wake 2
Remedy Entertainment
Audio Director: Richard Lapington
Senior Sound Designer: Koca Kastavarac
Music Editor: Kilian Oser
Senior Sound Designer: Dobrivoje Milijanovic
Diablo IV
Blizzard Entertainment
Audio Director: Kris Giampa
Music Director: Derek Duke
Scoring Editor: John Kurlander
Marvel’s Spider-Man 2
Insomniac Games
Supervising Music Editor: Rob Goodson
Music Editors: Scott Bergstrom, Ted Kocher, Tao-Ping Chen, Nicholas Mastroianni, Monty Mudd, Andrew Buresh, Sonia Coronado, Paul Thomason, Julie McLaughlin, Yuen Man Chung Kelvin, Matthew Kelly, Seira McCarthy, Sam McCormick, Cherron Arens
Star Wars Jedi: Survivor
Respawn Entertainment
Music Director: Nick Laviers
Music Implementers: Colin Andrew Grant MPSE, Andrew Karboski
Outstanding Achievement in Sound Editing – Game Effects / Foley
Alan Wake 2
Remedy Entertainment
Audio Director: Richard Lapington
Principal Audio Designer: Tazio Schiesari
Senior Audio Designers: Gulli Gunnarsson, Thomas Holmes
Senior Technical Audio Designer: Joshua Adam Bell
Call Of Duty: Modern Warfare III
Infinity Ward
Audio Director: Matthew Grimm MPSE
Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Dave Rowe, Brian Tuey, Collin Ayers
Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE
Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin
Sound Designers: Kelly Baffoni, Landen Belardes, Gregory Bonini, Tom Brewer MPSE, Alexander Ephraim MPSE, James Evans, Tim Gedemer, Mark Jasper, Sean Madsen, James Miller, Josh More, Myron Nettinga, Ryan Nowak, Travis Prater, Alec Rubay, John Sawa MPSE, Matt Severin, Carlos Solis, Nick Spradlin, Conrad Ytuarte, Jessica Arkoff
Expert Audio Artists: Jomo Kangethe, Kyle Fraser
Senior Audio Artists: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson
Audio Artists: Tyler Cannan, Liam Underwood, Stephan Vankov, Pierce Cram, Shawn Maldonado, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins
Audio Programmer: Don Veca
Marvel’s Spider-Man 2
Insomniac Games
Supervising Sound Editors: Ben Minto MPSE, Chris Sweetman MPSE, Csaba Wagner MPSE, Samuel Justice, Gary Miranda
Supervising Sound Designer: Emile Mika
Senior Director of Sound: Phillip Kovats MPSE
Director, Audio Management: Karen Read
Audio Managers: Daniel Birczynski, Jesse James Allen
Director of Sound Design: Jeremie Voillot MPSE
Senior Audio Directors: Paul Mudra, Jerry Berlongieri, Dwight Okahara
Technical Sound Designers: Ben Pantelis, Sebastian Ruiz, Nick Jackson, Enoch Choi, Cameron Sonju, Gavin Booth
Lead Sound Designer: Blake Johnson
Senior Sound Designers: Eddie Pacheco MPSE, Tyler Cornett, Johannes Hammers MPSE, Zack Bogucki, Alex Previty, Matt Ryan, Juliet Rascon, Andres Herrera, Robert Castro MPSE, Jeff Darby, Beau Anthony Jimenez MPSE, Derrick Espino, Jon Rook
Sound Designers: Tyler Hoffman, Daniele Carli, Bob Kellough MPSE, Bryan Jerden, Eilam Hoffman, Graham Donnelly MPSE, Jason W. Jennings MPSE, Matt Hall, Michael Leaning, Michael Schapiro, Randy Torres, Richard Gould, Stephano Sanchinelli, Tim Walston MPSE, Tobias Poppe, Tom Jaine MPSE, Jeremy Neroes, Adam Sanchez, Brendan Wolf, Roy Lancaster, Rodrigo Robinet, Daniel Barboza, Charlie Ritter, David Goll, Chris Kokkinos MPSE, TJ Schauer
Foley Editors: Blake Collins, Annie Taylor, Austin Creek
Foley Artist: Joanna Fang MPSE
Star Wars Jedi: Survivor
Respawen Entertainment
Audio Director: Nick von Kaenel
Senior Sound Designers: Alex Barnhart, Oscar Coen
Sound Designer: Ashton Faydenko
Associate Sound Designer: Kartika Dewi Luky
Senior Cinematic Sound Designer: Tom Jaine MPSE
Sound Implementer: Tori Ano
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
Buyers Beware
Savannah College of Art & Design
Supervising Sound Editor: Matt Lemberger
Canary
Chapman University
Supervising Sound Editor: Mengchen Sun
Dive
National Film & Television School
Supervising Sound Editor: Simon Panayi
From The Top
National Film & Television School
Supervising Sound Editor: Etienne Kompis
Gossip
National Film & Television School
Supervising Sound Editor: Itzel Gonzalez Estrada
Heimen
Amsterdam University of the Arts
Supervising Sound Editor: Eran Brinkman
Sound Effects Editor: Sam Titshof
The Tornado Outside
National Film & Television School
Supervising Sound Editor: Marios Themistokleous
Tree of Many Faces
National Film & Television School
Sound Designer: Siim Skepast
About MPSE
Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.
