Craig Anderton’s Open Channel: The New Gig Economy—Studio Edition
These days, artists have to do it all themselves and be their own manager, producer, mastering engineer, merch maven and more. How do we...
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These days, artists have to do it all themselves and be their own manager, producer, mastering engineer, merch maven and more. How do we...
Mix columnist Craig Anderton will present a pair of masterclasses for Asheville, NC-based The Bob Mogg Foundation in March.
With the advent of digital audio, sound quality started to be confused with musical quality. Craig has some ideas on how to change that.
Not only is the AI genie out of the bottle, the genie has acquired tactical nuclear weapons. Welcome to 2025.
After recovering what’s left of our past, what will we do in the present to preserve our heritage for the future?
Preserving vintage recordings that were created on analog tape has become a challenging race against time.
In this first part of a three-part series, we’ll cover what we’ve lost when it comes to recent-era audio, and why we lost it....
It’s been said before, but Mix columnist Craig Anderton decides it's time to add his own twist to ‘Live music is where the money...
Spotify CEO Daniel Ek recently drove the internet into a frenzy with a single tweet, here, pro audio industry guru Craig Anderton responds.
Maybe people just have a hard time reconciling that two opposing viewpoints can both be correct....
No, this isn’t a thinly disguised attempt to ask leading questions and get away with it, like some people in the media do. These...
The music industry desperately needs revisions to the copyright laws to take AI changes into account—but it can’t just stop there.
There’s the 800-pound gorilla in the room: e-waste. The audio industry is a tiny part of the problem, but we are part of it....
Let's peek into the future—where’s Atmos going? Will it take over the world, or will it fizzle like previous efforts to market surround?
I’m convinced Santa Audio exists, so I’m writing a “Dear Santa Audio” letter about what I would like to see in 2024.
The problem becomes how to transition from stereo to immersive. Creating immersive content isn’t enough.
Lots of cherished music is being remixed and remastered for immersive music formats, but are those mixes more about the sound than the music...
Columnist Craig Anderton pens an open letter from the music industry to the Hollywood unions on strike.
The past few years have seen multiple MI company acquisitions, but can the industry maintain the kind of growth that private equity often demands?
Craig Anderton explores whether our fascination with the technology of music distracts us from the art of music technology.
There's a lot of uncertainty facing the pro audio industry, coming at it from many angles at once -- but is that a bad...
Last September, I wrote an Open Channel about AI. Is it too soon to revisit the topic? Well, AI is reshaping the world at...
Is Mastering having a Kodak Moment? And is that a good thing...or a bad thing?
Gear. We love gear! But there are many different ways of loving gear—so let us count the ways.
Don’t believe anyone who tells you that musicians don’t matter, engineers don’t have any skills that can’t be acquired by choosing the right plug-in,...
Is audio quality finally not just for sound professionals and audiophiles? Craig Anderton weighs in.
Craig Anderton feels music, and the general population, are reaching a tipping point—find out what it is.
What if streaming services were to develop new, exciting artists who took advantage of immersive music's power?
Documentation can be the Achilles heel of any software—or its saving grace. But is there a better way to teach users?
Will AI will ruin music production? Craig Anderton suggests that the only way to beat artificial intelligence is with artificial stupidity.
Longtime Mix columnist Craig Anderton has released his latest e-book, Innovative Techniques for Pro Tools.
Craig Anderton discusses what we can learn about the current state of the music industry from our old, reliable friend, the op amp.
Unhappy that your favorite recording software moved to a subscription model? You might be better off than you think.
With every new advancement in music technology comes a wave of outcry that music is being destroyed...but is it?
Craig Anderton ponders, "Why is there a fascination with vintage gear, anyway?"
Has the Internet democratized music? Well, sorta. But a model that turned over artistic and financial control to the fans would be true democratization.
They say those who ignore history are doomed to repeat it. Craig Anderton finds an analogy for -- and about -- the ages in...
Let’s look at three different platform models that add some twists to the evolution of online collaboration.
What’s most exciting about MIDI 2.0 is what we don’t know is most exciting about MIDI 2.0....yet.
Craig Anderton plumbs the depths of definitions as he tries to figure out which technical terms mean what when.
Digital data isn’t stone tablets. Will people 20,000 years from now—or even 1,000 years from now—know what kind of music we made?