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Canada’s Confederation Centre of the Arts Adds L-Acoustics - Mixonline

Canada’s Confederation Centre of the Arts Adds L-Acoustics

Centre’s Homburg Theatre Enhances Existing System with Kara(i) Enclosures
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PEI’s Confederation Centre added L-Acoustics Kara(i) arrays to its existing ARCS center cluster in the Homburg Theatre

Confederation Centre of the Arts, located in Charlottetown on Prince Edward Island, Canada, near the New Brunswick/Nova Scotia coast, serves Canada’s Maritime Provinces. It is the National Memorial to the Fathers of Confederation and the home of Anne of Green Gables—The Musical, which recently wrapped up its 51st consecutive season.

The Centre offers programming year-round—ranging from cabarets, choral music and lectures to dance shows, theatre and live concerts—and showcases international, national, regional, provincial and local community talents. In addition to annually staging Anne of Green Gables—The Musical as part of The Charlottetown Festival, which has been held every year since 1965 and brings large-scale musical theatre productions to the main stage, the venue has also recently hosted productions of Alice Through the Looking Glass, Cinderella: A Fairly Tall Tale, The Founding Father, Canada ROCKS! and Ted Dykstra's musical love story, Evangeline.

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Confederation Centre Head of Audio Kevin MacLean at Homburg Theatre’s DiGiCo mixing consoles.

Built in 1964 for the national centennial, the Centre had been showing its age in recent years, but is now nearing the completion of a comprehensive renovation of its centerpiece Homburg Theatre, which includes the addition of new balconies.

One of the top priorities of the Centre’s management during the project was the enhancement of the venue’s sound system, which received a $375,000 contribution from the Government of Canada, through Atlantic Canada Opportunities Agency's (ACOA) Business Development Program. This was largely split between two key purchases: the expansion of an existing L-Acoustics loudspeaker system with even more L-Acoustics products, and the addition of two new DiGiCo mixing consoles.

The 1,100-seat venue’s system, which was installed in 1999, comprised four L-Acoustics ARCS enclosures configured in a center cluster, with left- and right-side stacks made up of three ARCS each, collectively powered by three LA4 amplified controllers. An LA8 drove four stacked SB18 subs, while five compact MTD108a coaxial speakers served as front fills. Two ARCS Wide per side, installed at a later date, covered the upper balcony and were powered by a single LA4.

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Arrays of 10 Kara(i) and four SB18 flank the stage

This system has now been considerably enhanced with the addition of 20 Kara(i), the fixed installation version of L-Acoustics’ Kara touring enclosure, flown 10 per side on either side of the center cluster. Four SB18 subs per side are hung next to the new speaker arrays, and these are powered by additional LA8 and LA4X amplifiers, including a new LA8 for the existing center cluster. The updated sound system is rounded out with the installation of a DiGiCo SD7T FOH console loaded with the theater software package and a DiGiCo SD10 to mix the existing L-Acoustics 112XT wedge monitors. Toronto-based dealer Westbury National supplied all of the new audio gear through PRG Toronto.

“The new system has made quite a difference,” says Confederation Centre Head of Audio Kevin MacLean, who installed it with the assistance of his predecessor, Ron Gorveatt, a well respected name in Toronto’s professional theater and pro audio circles. “We now have a proper line array system, and, with the center cluster, the theater can easily move between using just the left and right hangs for music and adding the center cluster for speech intelligibility for theatrical productions. Also, our new consoles are intuitive and very flexible for any FOH or monitor engineer to use. Literally, any touring music or theater act can just get off the plane or bus and come in and play.”

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The center ARCS enclosure, now powered by an LA8 amplified controller

MacLean says that he is planning a second phase, which would see the ARCS and SB18 enclosures upgraded to ARCS II and SB28.

“Budgets are always a consideration for a facility like this,” MacLean says. “But what we were able to accomplish with the budget we had says a lot about L-Acoustics’ value. We have a true multipurpose sound system that perfectly matches this multipurpose theater. Good sound is critical to helping us continue to be successful, and that’s what L-Acoustics provides.”

For more information, visit www.l-acoustics.com, www.digico.biz, www.westbury.com, www.prg.com/toronto and www.confederationcentre.com/en/.