At ETCA 2016, Annie Chang and Matthew Goldman participate in a panel titled “HDR: The Silver Bullet for Connected Content?”
With its anual Entertainment Technology in the Connected Age (ETCA) conference, the Society of Motion Picture and Television Engineers (SMPTE) brought the industry greater clarity on the technologies and tactics shaping the connected entertainment experience. Held June 27-28 at the Heritage Theatre in Campbell, Calif., the conference drew experts from both Hollywood and Silicon Valley to provide insight into the future of media delivery and consumption within a connected world.
“ETCA is unique in that it bridges the traditional divide between the content creators and the technologists who bring entertainment content to consumers, and this is one reason this year’s event attracted so many first-time attendees,” says ETCA 2016 Program Committee Chair Pat Griffis, who is also SMPTE education vice president and vice president of technology in the Office of the CTO at Dolby Laboratories. “Sixty-three experts from pioneering companies across the diverse media and entertainment space spoke in 28 sessions, providing attendees with insider intelligence in the Silicon Valley, the heart of the industry’s continual innovation.”
Renamed this year to reflect the increased importance of connectivity—between entertainment producers and consumers, and between consumers via social media—ETCA 2016 focused on Internet-delivered content as a primary driver of content consumption across fixed and mobile devices. Speakers explored how the convergence of connectivity, bandwidth and technology improvements is revolutionizing entertainment, and offered insights that provided attendees with an actionable understanding of technology and application trends.
This SMPTE conference marked its fourth year by featuring top executives and technologists from industry-leading companies and institutions, including Warner Bros., AMD, Dolby Laboratories, HP Labs, Walt Disney Pictures, The Telos Alliance, Akamai, YouTube, Twitch.tv, Aeris, Verizon Digital Media Services, GeoComply, The Nielsen Company, nScreenMedia, Netflix, Ericsson, MovieLabs, Amazon Lab 126, Paladin Software, Deluxe Media, 4INFO, CBS Entertainment Digital, Google, General Motors, StyleHaul, Facebook, RealNetworks, You.i TV, Pluto TV, Samsung Electronics America, Qualcomm Technologies, Anvato, MediaMelon, Microsoft, Universal Pictures, Rice University, and the School of Cinematic Arts at the University of Southern California.
As these experts shared their diverse insights over two days of sessions, panels, and keynote presentations, one theme was unanimous: Content consumption on nontraditional devices, and the use of nontraditional delivery systems, is growing at a faster rate than anyone expected. The factors driving consumption on connected devices, from TVs to smartphones to car consoles, range from demographics to user preferences to rapid technical advances.
Pat Griffis moderates “The Future of Video Encoding” session at ETCA 2016, with panelists Gary Sullivan and Debargha Mukherjee.
With the emergence of new forms of content delivery and consumption, further discovery, navigation and personalization tools are necessary to incorporate the new forms into the genuine mainstream and enable them to effectively address consumers’ requirements. Delivery of live content via online platforms still faces a variety of challenges, including handling of various source and distribution formats, reducing latency, accommodating high bandwidth requirements, establishing effective advertising models, and creating a viable cross-platform development environment for video apps. Emerging as a means to offer greater personalization, multichannel networks (MCNs) are altering the entertainment economy by adding revenue streams from sponsored content and by launching more direct marketing efforts, some of which include merchandise.
Experts also stressed the increasing importance of virtual reality (VR) in the entertainment sphere, though experts suggested that its adoption—the departure from the “Age of the Rectangle,” as keynote presenter Roy Taylor of AMD put it—will be a gradual process.
Nevertheless, the increasing affordability of headsets and a rapid ramp-up of enabling technology will combine with ever-better content creation and storytelling craft to push VR into the mainstream. Ron Sanders of Warner Home Entertainment, also a keynote presenter, stressed the difficulty of meeting rising consumer expectations and highlighted the need for consistent messaging about the benefits of new technologies such as 4K/UHD and immersive audio.
The dialog on high-dynamic-range (HDR) continued at ETCA 2016, where experts debated the inconsistent use of the term, particularly in the consumer marketplace, before discussing the impact of HDR on cinema. They also explained the relative readiness of computers and devices to adapt to new technologies, including HDR and wider color gamut (WGC), which together define a “color volume,” as well as the use of dynamic metadata as defined in the new SMPTE standard, ST-2094, to map the mastered color volume for optimum rendering by downstream devices.
A complete recap of ETCA will appear in the September issue of the SMPTE Motion Imaging Journal.
The Society’s flagship event, the SMPTE 2016 Annual Technical Conference & Exhibition (SMPTE 2016), will take place in October following the SMPTE 2016 Symposium and will conclude with the SMPTE Centennial Gala.
Visit SMPTE at www.smpte.org.