Berkeley, CA (November 19, 2020)—Mastering engineer Michael Romanowski recently completed a new facility at Coast Mastering that is outfitted to handle projects up to Dolby Atmos 9.1.6.
The new mastering room was designed by Romanowski along with acoustical consultant Bob Hodas, who also tuned the room. California-based audio engineer and studio design consultant Bob Levy worked closely with the build-team from the beginning of the project.
Coast Mastering features equipment chosen over Romanowski’s 30 years as a recording, mixing, and mastering engineer, both in Nashville and the San Francisco Bay Area. On the audio software side, Romanowski has been mastering immersive audio projects using the Steinberg Nuendo software for many years.
Compiling the Box Set of America
A main feature of the new studio are the Focal Scala Utopia EM speakers for left, right, and center channels which tower at almost six feet tall, and Focal Utopia Diablo Evo speakers for the six surrounds, which are all paired with Bricasti amplifiers and converters, and Wireworld cables. The subwoofer is by Meyer Sound, while the six height speakers are by Neumann. Stillpoint Aperture acoustic treatment was used throughout the new studio.
“As a music fan, I have really been enjoying the variety of styles of music that I have mastered in Atmos, with Alicia Keys, Kenny Wayne Shepherd, The U.S. Army Field Band, Fantastic Negrito, The Devil in California, and a local Bay Area Latin fusion band, Vibrason, among many other projects,” said Romanowski.
“I built my first mastering room in 2000 for 5.1 surround with Paul Stubblebine, then moved to immersive sound adding height speakers in 2018. My new mastering room was built specifically for immersive formats including Dolby Atmos. It’s such a joy to work in and to really hear the music as it is, so I can make the best decisions for my clients.”
Coast Mastering • www.coastmastering.com