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Dolby Atmos

Dolby Atmos

Pro Audio Technology Adds New Director of Sales

By Mix PR Wire
Oct 11, 2018

The Harbor Grand re-recording stage, New York City, occupies 2,500 square feet and has 26-foot ceilings. The console is a Euphonix System 5, with JBL monitoring throughout.

Harbor Grand Brings Big Films Back to NYC

By Tom Kenny
Oct 2, 2018

Sugar Studios’ 25-seat Dolby Atmos Mix Stage and 4K Color-DI Theater

Sugar Studios Adds Dolby Atmos Mix Stage

By Mix Editorial Staff
Oct 1, 2018

Tim Hoogenakker

Formosa Group Brings Dolby Atmos to the Home

By Tom Kenny
Sep 7, 2018

Ott House owner/mixer/sound designer Cheryl Ottenritter

Ott House Goes All-In With Dolby Atmos

By Tom Kenny
Aug 7, 2018

The band gathers around Kortchmar during a break in the action.

From the Editor: So Many Ways to Play the Game

By Tom Kenny
Aug 3, 2018

One of two identical rooms in the Dolby Cinema Group, downtown San Francisco, for mixing/authoring. Each room has a Meyer Sound Acheron 80/HMS5-based Atmos system, with two front and two rear X800 subs. This room has an Avid System 5 with Christie Digital Cinema projector; the other has Blackmagic DaVinci Resolve and a Christie/Dolby Laser Cinema projector.

Dolby Atmos: The Business and the Technology

By Steve Harvey
Jul 9, 2018

Innovative Post Solutions (IPS) feature. The core IPS audio team on the NUAGE mix stage, from left: Scott A. Jennings, Dolby Atmos Re-Recording Mixer; Don Devine, Post Production Supervisor; Jim Cerrotta, seated in front, CEO; Gary Epstein, Director of Advanced Technology; Michael Huang, Dolby Atmos Re-Recording Mixer

Innovative Post Solutions

By Steve Harvey
Apr 3, 2018

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