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March 1, 2005

March 1, 2005


Guitar Greatness

Music & Magic

New Studio Microphones In 2004

The Other Side of Austin Music

Artist Development 2005


Tools of the Trade

Field Test: Universal Audio LA-610 Channel Strip

Field Test: Tascam US-2400 Controller

Field Test: Holophone H2 Pro Surround Microphone

Field Test: Manifold Labs Plugzilla Plug-In Player

Field Test: CEDAR Audio Cambridge Restoration System

Field Test: SPL GainStation 1 Mic Preamp

Field Test: MBHO MBP 604 N Microphone

Field Test: NTI AL1 Acoustilyzer

Mackie HDR24/96 and MDR24/96

Sound for Picture


Joel Goodman

Live Mix

Austin Clubs Spotlight



Unmasking Masque’s New Facility

On the Road

Now Playing

25th Annual NSCA Expo

Tour Profile: Guy Clark, Joe Ely, John Hiatt and Lyle Lovett

New Sound Reinforcement Products

Recording Notes

The Gourds Dare to be Weird

Stroke 9: Reclaiming Their D.I.Y. Spirit

Sonny Landreth: Captured Live At Last

The Nick Luca Trio: A Little Night Music

Jolie Holland: Young Talent, Old Soul

Classic Tracks: Wall of Voodoo’s “Mexican Radio”

Cool Spins

Coast to Coast

L.A. Grapevine

Nashville Skyline

New York Metro

Johnny Tech Gets Busy With New X Bus

Delta Recording Service

Bo Jones Knows SugarHill

It’s Midnight Elevent at Pilot Recording

Pipes Brothers Co-Produce Deatherage

Track Sheet

Insider Audio

A Talk With John Chowning

Mix Interview

The Many Faces of Moby

Project Studio

Brent Maher


Pedant In a Big Box, Part Eight

Tech’s Files

Recording the Band—A Geek’s Take

From the Editor

Planet Indie


Letters to Mix

Current/Industry News

Last Call for Tape?

META Announced at CES

Hit Factory NYC Closes

Top Scoring Composer Completes Own Complex

James Kogen, 1927-2004

Gear Up for Musician’s Hotel, SXSW

TEC Awards 2005 Site Announced

On the Move: Mitch Rabin

Nashville High Schoolers Get Jump-Start in the Studio

Elephant Studios Now Open

Industry News

Notes From the Net

Toronto Studio Gets a Cherry Sound

Like Father, Like Son