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March 1, 2006

March 1, 2006


MIDI In Session

The Complete Computer-Based DAW

Pro Meets M.I.

Hybrid Monitor Mixing

Sound Effects for ‘King Kong, the Game’

Sound Design fSound Design for Motocross Gamesor Motocross Games

The Musical World of ‘The Godfather’ Game

Game Characters Speak Up!


Tools of the Trade

Steinberg Hypersonic 2 Multitimbral Synth

Field Test: Soundelux E47C Cardioid Condenser Mic

Field Test: Benchmark Media ADC1 A/D Converter

Field Test: EastWest Quantum Leap Symphonic Choirs

Field Test: Josephson C617SET Condenser Microphone

Snapshot Product Reviews

Sony Sound Forge Digital Audio Workstation

Live Mix

Don Pearson, 1942-2006

FixIt: Daniel Nygaard


On the Road: Mitch Lerner

Now Playing

When iPods Take the Stage

All Access: Violent Femmes

Tour Profile: INXS

Local Crew: Big House Sound

New Sound Reinforcement Products

Recording Notes

Producer Roy Thomas Baker Lights Up the Darkness

After Katrina

Classic Tracks: The Pointer Sisters’ “Yes We Can Can”

Cool Spins

Coast to Coast

L.A. Grapevine

Nashville Skyline

New York Metro

FM Recorders Goes Public

Avatar Hosts Fagen

Mayer at Eddie’s Attic

‘Lost Sessions’ Found

It’s Final for ‘Idol’

Track Sheet

Insider Audio

One Sine Wave at a Time

Producer’s Desk

Steve Epstein

Project Studio

Darren Rust’s Skyland Studios

Tech’s Files

Gettin’ Into the Grooves

From the Editor

The NASCAR Studio


Letters to Mix

Current/Industry News

Widget Post Expands

Manilow Remakes History

TEC Donates

On the Move: Mike Pappas

Paul Honors JBL

Thwak! Moves to Avatar Studios

Shure Mics on the Soundstage

Industry News

England at Village

Notes From the Net

Peart on Anatomy of Drum Solos

OIART Adds Games Development

Taking a Critical Listen

On the Cover

Saint Claire Recording