Films-TV
Composer David Kitay
Mix magazine speaks with film composer David Kitay, whose work includes Fast Times at Ridgemont High, Look Who's Talking and Frank's Place. David Kitay...
The Musical World of ‘The Godfather’ Game
ELECTRONIC ARTS RE-SCORES FOR AN INTERACTIVE WORLD
Sound Effects for ‘King Kong, the Game’
TO SKULL ISLAND AND BEYOND WITH UBISOFT'S FRENCH TEAM
The Natural Sound of ‘The New World’
TERRENCE MALICK BRINGS THE AGE OF DISCOVERY TO THE BIG SCREEN
An Excess of Gear for INXS
Mark Burnett Productions' (Survivor, The Apprentice, Contender) RockStar:INXS, which searched for the next INXS lead singer (the winner, J.D. Fortune,
Location Sound Effects Recording for Film
ERIC POTTER AND JOHN FASAL HAVE BECOME HOLLYWOOD'S GO-TO GUYS
Multichannel Mixing for HD Television
ENGINEERS ADOPT FILM-STYLE TECHNIQUES UNDER TIGHT BROADCAST SCHEDULE
Top Scoring Composer Completes Own Complex
Scoring composer Harry Gregson-Williams (Shrek and Shrek 2, Team America: World Police, Bridget Jones: The Edge of Reason) has completed his new five-room,
Shark Tale: A Different Kind of Fish Story
SOUND DESIGNER WADE WILSON TALKS ABOUT HIS UNDERSEA CHALLENGE
You’ve Got Mail, Studio Center!
Customizing the audio greetings for AOL 9.0 Optimized SE was the largest single project in the 38-year history of Studio Center Worldwide Audio (Norfolk,
Sony Pictures’ AMS Neve 88R Scoring Console
The AMS Neve 88R's original design genesis goes back to 1998 with the first model shown at the fall 2000 AES show. But it...
Boom Times for TV Location Recordists
Capturing Production Sound on the Set or in the Street
Moog Documentary in the Works
Director Hans Fjellestad and producer Ryan Page are halfway through the production of MOOG, a feature-length documentary film that explores the life of electronic...
‘Master & Commander: The Far Side of the World’
THE EPIC sea adventure is as old as film itself, spanning from the silent years up through various remakes of Treasure Island and Mutiny...