Films-TV

By Blair Jackson ⋅ Published: 11/01/2005

CHANNELING JOHNNY CASH AND JUNE CARTER IN NEW MUSIC BIOPIC

By Compiled by Sarah Benzuly ⋅ Published: 11/01/2005

Mark Burnett Productions' (Survivor, The Apprentice, Contender) RockStar:INXS, which searched for the next INXS lead singer (the winner, J.D. Fortune,

By Mark Frink ⋅ Published: 10/01/2005

ACME SOUND PARTNERS HAS A 2005 BROADWAY HAT TRICK

By Maureen Droney ⋅ Published: 09/01/2005

MIXING FOR EVERY WORD AT WILSHIRE STAGES

By Blair Jackson ⋅ Published: 07/01/2005

ERIC POTTER AND JOHN FASAL HAVE BECOME HOLLYWOOD'S GO-TO GUYS

By Maureen Droney ⋅ Published: 05/01/2005

STRIVING FOR GREATNESS AT THE GRAMMY AWARDS

By Mel Lambert ⋅ Published: 04/01/2005

ENGINEERS ADOPT FILM-STYLE TECHNIQUES UNDER TIGHT BROADCAST SCHEDULE

By Blair Jackson ⋅ Published: 04/01/2005

CAMPY CULT CLASSIC REDO RECEIVES HIGH MARKS

By Compiled by Sarah Benzuly ⋅ Published: 03/01/2005

Scoring composer Harry Gregson-Williams (Shrek and Shrek 2, Team America: World Police, Bridget Jones: The Edge of Reason) has completed his new five-room,

By Blair Jackson ⋅ Published: 01/01/2005

VINTAGE PLANES, ECCENTRIC BILLIONAIRES, CHALLENGING SOUND

By Matt Hurwitz ⋅ Published: 01/01/2005

SCORING A KRANKY COMEDY

By Maureen Droney ⋅ Published: 01/01/2005

THE YEAR OF LIVING ANIMATEDLY

By Blair Jackson ⋅ Published: 12/01/2004

CREATING LEMONY SNICKET'S PECULIAR SOUND

By Blair Jackson ⋅ Published: 11/01/2004

MAKING THE MOST OF SURROUND FOR THE XBOX

By Tom Kenny ⋅ Published: 11/01/2004

BUILDING A NEW TRADITION OF SOUND AND PICTURE

By Blair Jackson ⋅ Published: 10/01/2004

HALLUCINATORY SOUND FOR A PARANOID VISION

By Blair Jackson ⋅ Published: 09/01/2004

SOUND DESIGNER WADE WILSON TALKS ABOUT HIS UNDERSEA CHALLENGE

By Compiled by Sarah Benzuly ⋅ Published: 09/01/2004

Customizing the audio greetings for AOL 9.0 Optimized SE was the largest single project in the 38-year history of Studio Center Worldwide Audio (Norfolk,

By Blair Jackson ⋅ Published: 08/01/2004

PRODUCTION SOUND IN THAILAND AND GERMANY

By Maureen Droney ⋅ Published: 08/01/2004

SIMULTANEOUS SOUND DESIGN FOR FILM, GAMES, ANIME

By Blair Jackson ⋅ Published: 07/01/2004

IT'S A NEW KING ARTHUR

By Matt Hurwitz ⋅ Published: 07/01/2004

THREE DAYS TO DELIVER AN EPIC SOUNDSCAPE

By Barry Rudolph ⋅ Published: 06/01/2004

The AMS Neve 88R's original design genesis goes back to 1998 with the first model shown at the fall 2000 AES show. But it...

By Blair Jackson ⋅ Published: 04/01/2004

Capturing Production Sound on the Set or in the Street

By Maureen Droney ⋅ Published: 04/01/2004

DMT Rentals Supplies Warner Bros. Orchestral Date

By David Weiss ⋅ Published: 04/01/2004

The Reigning Champs of Crunch-Time Composing

By Mel Lambert ⋅ Published: 04/01/2004

Systems Integrators Develop All-New Audio/Video Infrastructure

By Compiled by Sarah Benzuly ⋅ Published: 02/01/2004

Director Hans Fjellestad and producer Ryan Page are halfway through the production of MOOG, a feature-length documentary film that explores the life of electronic...

By Blair Jackson ⋅ Published: 12/01/2003

THE EPIC sea adventure is as old as film itself, spanning from the silent years up through various remakes of Treasure Island and Mutiny...