Films-TV

By Matt Hurwitz ⋅ Published: 03/01/2008

ROCKING BAND TAKES CONCERT FOOTAGE TO NEW HEIGHTS

By Paul Lehrman ⋅ Published: 02/01/2008

SYNC AND SWIM IN HDTV

By Blair Jackson ⋅ Published: 01/01/2008

HEIGHTENING EMOTION WITH SOUND

By Compiled by Sarah Benzuly ⋅ Published: 01/01/2008

New York City?based Northern Lights' new audio division is being headed by mixer/sound designer/composer Ted Gannon (pictured), who is currently working

By By Steve Shurtz ⋅ Published: 01/01/2008

COPPOLA'S NEW (OLD) WAY OF FILMMAKING

By By Mitch Osias ⋅ Published: 01/01/2008

A SONIC JOURNEY INTO THE HEART OF ANIME

By Blair Jackson ⋅ Published: 12/01/2007

SOUND DESIGN FOR NEW REALMS OF FANTASY

By Compiled by Sarah Benzuly ⋅ Published: 12/01/2007

Academy Award-nominated sound designer Leslie Shatz and sound mixer Chris David, who united to form Los Angeles-based Wildfire Studios (www.wildfirepost.com),

By Blair Jackson ⋅ Published: 11/01/2007

RIDLEY SCOTT'S LATEST CALLED FOR A GRITTY, AGGRESSIVE SOUNDTRACK

By Barbara Schultz ⋅ Published: 11/01/2007

COMPOSERS REAP BENEFITS FROM PRODUCTION MUSIC LIBRARIES

By Mix Staff ⋅ Published: 10/02/2007

BRINGING A MUSICIAN'S EAR TO FILM SOUND

By Mix Staff ⋅ Published: 10/02/2007

THE MIX IS IN THE PASSION AT SYNC SOUND

By Mix Staff ⋅ Published: 10/02/2007

AS INSPIRING AS HE IS PROLIFIC

By Mix Staff ⋅ Published: 10/02/2007

THE LEGACY OF STAR WARS, THE BIRTH OF MODERN FILM SOUND

By Matt Hurwitz ⋅ Published: 09/01/2007

COMPOSER COLLABORATION AT REMOTE CONTROL PRODUCTIONS

By David John Farinella ⋅ Published: 09/01/2007

MIXING MAYHEM CAN BE FUN

By Bud Scoppa ⋅ Published: 09/01/2007

OLD FRIENDS RECONNECT TO CELEBRATE PAUL SIMON'S GERSHWIN PRIZE

By By Janice Brown ⋅ Published: 09/01/2007

FILM DOCUMENTS YOUNGSTERS' LIVES AFTER KATRINA

By Blair Jackson ⋅ Published: 08/01/2007

FOLEY ADDS REAL-LIFE DRAMA TO THE BOURNE ULTIMATUM

By Blair Jackson ⋅ Published: 07/01/2007

KEVIN O'CONNELL AND GREG RUSSELL KNOW WHEN IT'S LOUD ENOUGH

By Blair Jackson ⋅ Published: 06/01/2007

NOW PLAYING AT YOUR LOCAL MULTIPLEX: FOUR INESCAPABLE MEGA-FILMS

By Mark R. Smith ⋅ Published: 06/01/2007

A WORLDWIDE SOUND PALETTE FOR MVI POST'S FRANK SCHEURING

By Matt Hurwitz ⋅ Published: 04/01/2007

SOUNDS OF THE DEAD UPDATED FOR MODERN TIMES

By Compiled by Sarah Benzuly ⋅ Published: 04/01/2007

New York City-based post-production facility Sound One has a new managing director: Steven Tollen. He will oversee day-to-day activities at the facility,

By David John Farinella ⋅ Published: 04/01/2007

THE VENERABLE MUSIC PROGRAM LEAPS INTO HI-DEF

By Gary Eskow ⋅ Published: 04/01/2007

RE-RECORDING MIXER FINDS NICHE IN NEW YORK CITY POST HOUSE

By Paul Lehrman ⋅ Published: 04/01/2007

NEAT THINGS TO DO WITH APPLE'S (ALMOST) FREE MULTIMEDIA TECHNOLOGY

By By Claire Hall ⋅ Published: 04/01/2007

MTV Networks managers and engineers knew they had a tough challenge in front of them. With the 22nd Annual Stellar Awards gospel show set...

By Blair Jackson ⋅ Published: 03/01/2007

AT THE CROSSROADS OF GAME AND FILM AUDIO

By Blair Jackson ⋅ Published: 03/01/2007

MUSIC, EFFECTS CAPTURE AN ERA IN DAVID FINCHER'S SERIAL-KILLER DRAMA

By Robert Hanson ⋅ Published: 03/01/2007

NEXT-GEN GAME CONSOLES PROMISE EXCITING NEW OPPORTUNITIES FOR SOUND DESIGNERS AND COMPOSERS

By By Michel Henein ⋅ Published: 03/01/2007

THE NEXT REVOLUTION WILL BE PLAYED

By Glen Yard ⋅ Published: 02/01/2007

THE PERILS AND PITFALLS OF LOW-BUDGET AUDIO FOR AN INDIE FILM

By Blair Jackson ⋅ Published: 01/01/2007

SOUND FOR CLINT EASTWOOD'S STIRRING IWO JIMA DIPTYCH

By Compiled by Sarah Benzuly ⋅ Published: 01/01/2007

In addition to a company restructure, Wow and Flutter West has opened Stage A, a 10,000-cubic-foot, large-format film/TV mixing theater in Santa Monica,

By Blair Jackson ⋅ Published: 12/01/2006

POST CHALLENGES FOR THE MUSICAL DREAMGIRLS

By By Mike Clark ⋅ Published: 12/01/2006

ITALIAN COMPOSER COMES HOME

By Iain Blair ⋅ Published: 12/01/2006

TRUE TO AMERICAN PUNK'S BEGINNINGS

By Matt Hurwitz ⋅ Published: 10/01/2006

ACOUSTIC FLAVORS ENRICH PARANOIAC SCORE

By Heather Johnson ⋅ Published: 10/01/2006

MAKING THE '50S SOUND LIKE—THE '50S