Films-TV

Films-TV

Creative on Demand

By Barbara Schultz ⋅ Published: 11/01/2007

COMPOSERS REAP BENEFITS FROM PRODUCTION MUSIC LIBRARIES

Films-TV

Skip Lievsay

By Mix Staff ⋅ Published: 10/02/2007

BRINGING A MUSICIAN'S EAR TO FILM SOUND

Films-TV

Ken Hahn and Bill Marino

By Mix Staff ⋅ Published: 10/02/2007

THE MIX IS IN THE PASSION AT SYNC SOUND

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Hans Zimmer

By Mix Staff ⋅ Published: 10/02/2007

AS INSPIRING AS HE IS PROLIFIC

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Ben Burtt

By Mix Staff ⋅ Published: 10/02/2007

THE LEGACY OF STAR WARS, THE BIRTH OF MODERN FILM SOUND

Films-TV

Hans Zimmer’s Scoring Collective

By Matt Hurwitz ⋅ Published: 09/01/2007

COMPOSER COLLABORATION AT REMOTE CONTROL PRODUCTIONS

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Horror Audio

By David John Farinella ⋅ Published: 09/01/2007

MIXING MAYHEM CAN BE FUN

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Still Crafty After All These Years

By Bud Scoppa ⋅ Published: 09/01/2007

OLD FRIENDS RECONNECT TO CELEBRATE PAUL SIMON'S GERSHWIN PRIZE

Films-TV

Walking on Dead Fish

By By Janice Brown ⋅ Published: 09/01/2007

FILM DOCUMENTS YOUNGSTERS' LIVES AFTER KATRINA

Films-TV

Fights, Footsteps and Thrills

By Blair Jackson ⋅ Published: 08/01/2007

FOLEY ADDS REAL-LIFE DRAMA TO THE BOURNE ULTIMATUM

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Transforming Blockbuster Sound

By Blair Jackson ⋅ Published: 07/01/2007

KEVIN O'CONNELL AND GREG RUSSELL KNOW WHEN IT'S LOUD ENOUGH

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Three-Quel Spring

By Blair Jackson ⋅ Published: 06/01/2007

NOW PLAYING AT YOUR LOCAL MULTIPLEX: FOUR INESCAPABLE MEGA-FILMS

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BBC/Discovery Channel’s Planet Earth Series

By Mark R. Smith ⋅ Published: 06/01/2007

A WORLDWIDE SOUND PALETTE FOR MVI POST'S FRANK SCHEURING

Films-TV

Ghost Whisperer

By Matt Hurwitz ⋅ Published: 04/01/2007

SOUNDS OF THE DEAD UPDATED FOR MODERN TIMES

Films-TV

Tollen Heads Sound One

By Compiled by Sarah Benzuly ⋅ Published: 04/01/2007

New York City-based post-production facility Sound One has a new managing director: Steven Tollen. He will oversee day-to-day activities at the facility,

Films-TV

PBS’ Soundstage Steps Into the Digital Age

By David John Farinella ⋅ Published: 04/01/2007

THE VENERABLE MUSIC PROGRAM LEAPS INTO HI-DEF

Films-TV

Tom Fleischman

By Gary Eskow ⋅ Published: 04/01/2007

RE-RECORDING MIXER FINDS NICHE IN NEW YORK CITY POST HOUSE

Films-TV

Smart QuickTime Tricks

By Paul Lehrman ⋅ Published: 04/01/2007

NEAT THINGS TO DO WITH APPLE'S (ALMOST) FREE MULTIMEDIA TECHNOLOGY

Films-TV

MTV Networks’ Mobile Unit 8

By By Claire Hall ⋅ Published: 04/01/2007

MTV Networks managers and engineers knew they had a tough challenge in front of them. With the 22nd Annual Stellar Awards gospel show set...

Films-TV

Soundelux’s Scott Gershin

By Blair Jackson ⋅ Published: 03/01/2007

AT THE CROSSROADS OF GAME AND FILM AUDIO

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Unraveling the Sound for Zodiac

By Blair Jackson ⋅ Published: 03/01/2007

MUSIC, EFFECTS CAPTURE AN ERA IN DAVID FINCHER'S SERIAL-KILLER DRAMA

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One-Upmanship

By Robert Hanson ⋅ Published: 03/01/2007

NEXT-GEN GAME CONSOLES PROMISE EXCITING NEW OPPORTUNITIES FOR SOUND DESIGNERS AND COMPOSERS

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Sound Integration

By By Michel Henein ⋅ Published: 03/01/2007

THE NEXT REVOLUTION WILL BE PLAYED

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Freak Out

By Glen Yard ⋅ Published: 02/01/2007

THE PERILS AND PITFALLS OF LOW-BUDGET AUDIO FOR AN INDIE FILM

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Conflagrations and Claustrophobia

By Blair Jackson ⋅ Published: 01/01/2007

SOUND FOR CLINT EASTWOOD'S STIRRING IWO JIMA DIPTYCH

Films-TV

Wow and Flutter Expands

By Compiled by Sarah Benzuly ⋅ Published: 01/01/2007

In addition to a company restructure, Wow and Flutter West has opened Stage A, a 10,000-cubic-foot, large-format film/TV mixing theater in Santa Monica,

Films-TV

Stage to Screen

By Blair Jackson ⋅ Published: 12/01/2006

POST CHALLENGES FOR THE MUSICAL DREAMGIRLS

Films-TV

Romus Studio

By By Mike Clark ⋅ Published: 12/01/2006

ITALIAN COMPOSER COMES HOME

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American Hardcore

By Iain Blair ⋅ Published: 12/01/2006

TRUE TO AMERICAN PUNK'S BEGINNINGS

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A Scanner Darkly

By Matt Hurwitz ⋅ Published: 10/01/2006

ACOUSTIC FLAVORS ENRICH PARANOIAC SCORE

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Good Night, and Good Luck

By Heather Johnson ⋅ Published: 10/01/2006

MAKING THE '50S SOUND LIKE—THE '50S

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Beau Hunks and The Little Rascals

By Matt Hurwitz ⋅ Published: 09/01/2006

REFORGING CLASSIC TRACKS FROM THE CLASSICS

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New Post House Opens

By Compiled by Sarah Benzuly ⋅ Published: 09/01/2006

Music production executive Jeff Rosner, who co-founded music company Sacred Noise and served as its executive producer, has teamed with sound engineers

Films-TV

Shawn Clement

By Gary Eskow ⋅ Published: 09/01/2006

PROSPERING WITH MUSIC FOR GAMES

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Composer Alex Wurman

By Bud Scoppa ⋅ Published: 09/01/2006

THE GENRE-JUMPING PENGUINS CHAMELEON

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Superpower Sounds for Superman Returns

By Blair Jackson ⋅ Published: 07/01/2006

An interview with the post-production crew and sound designers about recording tSuperman Returns. Recording and mixing techniques and equipment used during post-production.

Films-TV

Engine FX With Personality in Pixar’s Cars

By Blair Jackson ⋅ Published: 07/01/2006

DIGGING FOR AUTHENTIC SOUNDS—WHETHER IMPALA OR FIAT

Films-TV

Dario Marianelli

By Bryan Reesman ⋅ Published: 06/01/2006

Mix speaks with film composer Dario Marianelli, who has composed for such films as The Brothers Grimm, Opal Dream and V for Vendetta. Marianelli...