Sam Ash Music to Shutter All Retail Locations
A mainstay of the MI and pro-audio retail sector for 100 years, Sam Ash Music announced that it will close all its physical retail...
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A mainstay of the MI and pro-audio retail sector for 100 years, Sam Ash Music announced that it will close all its physical retail...
No, this isn’t a thinly disguised attempt to ask leading questions and get away with it, like some people in the media do. These...
The music industry desperately needs revisions to the copyright laws to take AI changes into account—but it can’t just stop there.
Mix has been named as a finalist in two categories for the 70th Jesse H. Neal Awards, the premier awards honoring business-to-business (B2B) journalism.
Women dominated the Grammy Awards. Not because they had a special welcome mat, but because they made music that people wanted to hear.
There’s the 800-pound gorilla in the room: e-waste. The audio industry is a tiny part of the problem, but we are part of it....
Focusrite Group CEO Tim Carroll has been named the new president of the MIDI Association.
The MIDI Association will present four full days of activity focused on the new MIDI 2.0 standard at the NAMM Show 2024.
Let's peek into the future—where’s Atmos going? Will it take over the world, or will it fizzle like previous efforts to market surround?
I’m convinced Santa Audio exists, so I’m writing a “Dear Santa Audio” letter about what I would like to see in 2024.
The problem becomes how to transition from stereo to immersive. Creating immersive content isn’t enough.
Lots of cherished music is being remixed and remastered for immersive music formats, but are those mixes more about the sound than the music...
Columnist Craig Anderton pens an open letter from the music industry to the Hollywood unions on strike.
The past few years have seen multiple MI company acquisitions, but can the industry maintain the kind of growth that private equity often demands?
Platform establishes a set of three AI Music Principles and launches YouTube Music AI Incubator in partnership with UMG.
Auerbach Pollock Friedlander and Auerbach Glasow has rebranded itself as Apeiro Design.
Craig Anderton explores whether our fascination with the technology of music distracts us from the art of music technology.
There's a lot of uncertainty facing the pro audio industry, coming at it from many angles at once -- but is that a bad...
UMG and Endel have entered a strategic relationship where Endel will apply AI to artist-provided stems to “reimagine” them as soundscapes.
Last September, I wrote an Open Channel about AI. Is it too soon to revisit the topic? Well, AI is reshaping the world at...
Alchemy Mastering at AIR has moved into AIR Studios' Lyndhurst premises in London and is now known as AIR Mastering.
Is Mastering having a Kodak Moment? And is that a good thing...or a bad thing?
Veteran producer/engineer/musician Aaron "Professor Louie" Hurwitz shares how he develops trust with artists.
The RIAA is reporting all-time high recorded music revenues for the seventh straight year, fueled by streaming and the vinyl revival.
Gear. We love gear! But there are many different ways of loving gear—so let us count the ways.
I’ve had a whole lot of fun listening to music lately, and it all started about three or four months ago...
Don’t believe anyone who tells you that musicians don’t matter, engineers don’t have any skills that can’t be acquired by choosing the right plug-in,...
Is audio quality finally not just for sound professionals and audiophiles? Craig Anderton weighs in.
Craig Anderton feels music, and the general population, are reaching a tipping point—find out what it is.
What if streaming services were to develop new, exciting artists who took advantage of immersive music's power?
Documentation can be the Achilles heel of any software—or its saving grace. But is there a better way to teach users?
Will AI will ruin music production? Craig Anderton suggests that the only way to beat artificial intelligence is with artificial stupidity.
Longtime Mix columnist Craig Anderton has released his latest e-book, Innovative Techniques for Pro Tools.
Craig Anderton discusses what we can learn about the current state of the music industry from our old, reliable friend, the op amp.
Unhappy that your favorite recording software moved to a subscription model? You might be better off than you think.
With every new advancement in music technology comes a wave of outcry that music is being destroyed...but is it?
Craig Anderton ponders, "Why is there a fascination with vintage gear, anyway?"
Has the Internet democratized music? Well, sorta. But a model that turned over artistic and financial control to the fans would be true democratization.
They say those who ignore history are doomed to repeat it. Craig Anderton finds an analogy for -- and about -- the ages in...
Let’s look at three different platform models that add some twists to the evolution of online collaboration.
What’s most exciting about MIDI 2.0 is what we don’t know is most exciting about MIDI 2.0....yet.