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Flow Goes with SSL Origin

Flow Studios, a new recording facility based in France’s Loire Valley, has opened with a 32-channel Solid State Logic Origin console.

Flow Studios, a new recording facility based in France’s Loire Valley, has opened with a 32-channel Solid State Logic Origin analog in-line console in its control room.
[/media-credit] Flow Studios, a new recording facility based in France’s Loire Valley, has opened with a 32-channel Solid State Logic Origin analog in-line console in its control room.

Loire Valley, France (January 8, 2021) — Flow Studios, a new recording facility based in France’s Loire Valley, has opened with a 32-channel Solid State Logic Origin analog in-line console in its control room.

Studio owner Luke Aaron Clark reportedly built the studio control room to accommodate the Origin desk. The studio itself was designed by John Brandt, took three years to complete and involved modifying an old town hall.

“What I love about the Origin is that it gives me the ability to work with one artist in the control room, or to have a band or larger group spread out throughout the studio, with all instruments recorded simultaneously,” says Clark. “As a commercial studio owner, I wanted to create a beautiful space where an engineer or producer can get to work quickly. Thankfully, the engineering and design behind Origin is very intuitive.

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“The SSL Origin is set up as fully patchable, which provides a highly flexible workflow throughout the studio. We have 96 patchable audio lines accessed via wall panels located throughout the facility, while we also use the intelligent and intuitive bus routing on the SSL Origin to manage our dedicated hearback system.”

Clark says the console can create a comprehensive workflow: “For tracking, if someone wants to get a session up and running quickly, they can run everything through the desk and it all sounds harmonious,” he explains. “After tracking, the desk, outboard gear or trusted plug-ins can be employed for mixing.”

He adds, “I was already familiar with the snarl and crunch of the E series 242-type EQ. It gives some added weight and the ability to fine-tune during or after tracking. And the glue you get from the classic bus compressor is indispensable.”

Solid State Logic • www.solidstatelogic.com

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