Films-TV
Sound Design Recording
33 W. Haley St. Santa Barbara, CA 93101 (805) 965-3404; Fax (805) 966-9525 e-mail: [email protected] www.sound-design.comBig-city sound without big-city
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POSTNOTES
All Things Internet: You don't need to be a think tank resident to see the impact that the Internet is having on all facets...
Films-TV
Pierre Foldes: POST-PRODUCTION WITH PARISIAN STYLE
Composers heading to New York to find work in this town's audio post market are often cowed by the number of well-appointed project studios...
Films-TV
The patriot
The Sony Pictures Entertainment lot was abuzz at the end of May with the controlled rush to bring Mel Gibson and the drama of...
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SCORING “THE PATRIOT”
For the film score, the producers were fortunate to secure the participation of two-time Oscar winner John Williams, whose many screen credits include
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POST SCRIPT
MARK SNOW "THE X-FILES" COMPOSER BRINGS CINEMATIC EMOTION TO THE SMALL SCREEN The truth is out there, as The X-Files catchphrase goes. But for...
Films-TV
SOUND FOR FILM: AN OPEN LETTER TO PICTURE AND SOUND EDITORS FROM A PRODUCTION MIXER
I'm currently mixing a new ABC dramatic series called Wonderland about Bellevue psychiatric hospital. As you can imagine, it's a madhouse. There's tons
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THE SCORE: INTERVIEWS WITH FILM COMPOSERS
Concert composer Michael Schelle may have never written music for film, but after penning his most recent book, it's safe to say he knows...
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SOUND FX FOR “SLEEPY HOLLOW”: HEADS WILL ROLL, HORSES WILL RUN
A Tim Burton movie would seem on the surface to be a sound editor's playpen-stylized imagery, dark characters, evocative settings. Whether it's the scissor
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SCORING FOR THE BIGGEST SCREEN: STEVE WOOD CLIMBS “EVEREST” AND SWIMS TO THE BOTTOM OF “THE LIVING SEA”
The first time composer/engineer Steve Wood wrote for orchestra, he had to purchase a one-month pass to his chiropractor. No joke. His back went...
Films-TV
Sound for Fosse and Annie Get Your Gun
Because so many in our little industry gather in the Big Apple for the October AES convention, I decided it would be appropriate to...
Films-TV
NEW YORK POST: SURROUNDED BY PRIME TIME
It doesn't take an insider to see that the New York post-production industry is booming. New shops are opening up, commercial mixing facilities are...
Films-TV
Leslie Ann Jones: DOING IT ALL
A master of the art in the classic sense, Leslie Ann Jones is, first and foremost, a truly musical engineer. Highly respected by her...
Films-TV
STAR WARS EPISODE I: THE PHANTOM MENACE
In 1977, in a galaxy very close to home, Star Wars changed the way movies are made and released, ushering in the age of...
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POST NOTES
The designers of the Soundmaster Integrated Operations Nucleus (ION), which serves as a "universal translator" for various technology standards in the
Films-TV
Scoring for Film
Some of the greatest themes in film music-like "Lara's Theme" from Dr. Zhivago or "Also Sprach Zarathustra" from 2001: A Space Odyssey-have cemented key
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