Nominations for the 68th Emmy Awards were announced on July 14, 2016 by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls.
“Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry’s storytellers,” says Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers.
“The Television Academy is thrilled to once again honor the very best that television has to offer.”
After fully transitioning to an online voting system last year, the Academy saw a 22 percent increase in participation for this year’s nomination round. Final-round online voting begins August 15.
The 68th Emmy Awards, including the star-studded Red Carpet preshow, will telecast from The Microsoft Theater in Los Angeles, Sunday, September 18 (7 to 11 p.m. ET/4 to 8 p.m. PM PT) on ABC. Emmy Award-winning live television and event producer Don Mischer will serve as executive producer of the broadcast hosted by Jimmy Kimmel.
Mix magazine congratulates the following nominees in the Television Academy’s Sound Editing and Sound Mixing categories:
Outstanding Sound Editing For A Series
Black Sails • “XX” • Starz
Benjamin Cook, Supervising Sound Editor
Sue Cahill, Supervising Dialogue Editor
Stefan Henrix, ADR Supervisor
Jeffrey A. Pitts, Sound Effects Editor
Tim Tuchrello, Sound Effects Editor
Brett Voss, Sound Effects Editor
Michael Baber, Music Editor
Jeffrey Wilhoit, Foley Artist
Dylan Tuomy-Wilhoit, Foley Artist
Game Of Thrones • “The Door” • HBO
Tim Kimmel, MPSE, Supervising Sound Editor
Tim Hands, Supervising ADR Editor
Paul Bercovitch, Supervising Dialogue Editor
Paula Fairfield, Sound Designer
Bradley C. Katona, Sound Effects Editor
Michael Wabro, ADR Editor
David Klotz, Music Editor
Brett Voss, Foley Editor
Jeffrey Wilhoit, Foley Artist
Dylan Tuomy-Wilhoit, Foley Artist
Gotham • “Azrael” • FOX
George Haddad, Supervising Sound Editor
Julie Altus, Sound Editor
Chad J. Hughes, Sound Editor
Dale Chaloukian, Sound Editor
Ashley Revell, Music Editor
Joseph T. Sabella, Foley Artist
Joan Rowe, Foley Artist
Marvel’s Daredevil • “New York’s Finest” • Netflix
Lauren Stephens, Supervising Sound Editor
Jordan Wilby, Sound Designer
Jonathan Golodner, Sound FX Editor
Christian Buenaventura, Dialogue Editor
Greg Vines, Music Editor
Zane Bruce, Foley Artist
Lindsay Pepper, Foley Artist
Vikings • “The Last Ship” • HISTORY
Jane Tattersall, Supervising Sound Editor
David McCallum, Supervising Dialogue Editor
Dale Sheldrake, Supervising ADR Editor
Steve Medeiros, Sound Effects Editor
Brennan Mercer, Sound Effects Editor
Yuri Gorbachow, Music Editor
Andy Malcolm, Foley Artist
Goro Koyama, Foley Artist
Outstanding Sound Editing For A Limited Series, Movie Or Special
American Horror Story: Hotel • “Checking In” • FX Networks
Gary Megregian, MPSE, Supervising Sound Editor
Steve M. Stuhr, Dialogue Editor
Jason Krane, MPSE, Dialogue Editor
Timothy A. Cleveland, Sound Effects Editor
Paul Diller, MPSE, Sound Effects Editor
David Klotz, Music Editor
Noel Vought, Foley Artist
Ginger Geary, Foley Artist
Fargo • “The Castle” • FX Networks
Kurt N. Forshager, Co-Supervising Sound Editor
Joe Bracciale, Co-Supervising Sound Editor
Robert Bertola, Sound Effects Editor
Paul Shikata, Sound Effects Editor
Mark Bensi, Music Editor
John Elliot, Foley Artist
The Night Manager • “Episode 5” • AMC
Adam Armitage, Effects Editor
Howard Bargroff, Sound Editor
Alex Sawyer, Dialogue Editor
Peter Melemendjian, Dialogue Editor
Barnaby Smith, Foley Artist
Roots • “Night Two” • HISTORY
Gary Megregian, MPSE, Supervising Sound Editor
Stuart Martin, ADR Supervisor
Andrew Dawson, ADR Editor
Steve M. Stuhr, Dialogue Editor
Jason Krane, MPSE, Dialogue Editor
Christian Bueneventura, Dialogue Editor
Timothy A. Cleveland, Sound Effects Editor
Paul Diller, MPSE, Sound Effects Editor
John Snider, Sound Effects Editor
Marcello Dubaz, Sound Effects Editor
Michael Sana, Sound Effects Editor
Daniel Salas, Sound Effects Editor
Matt Shelton, Music Editor
Noel Vought, Foley Artist
Ginger Geary, Foley Artist
Sherlock: The Abominable Bride (Masterpiece) • PBS
Douglas Sinclair, Supervising Sound Editor
Paul McFadden, Dialogue Editor
Jonathan Joyce, Sound Editor
Stuart McCowan, Sound Editor
Howard Bargroff, Sound Editor
Rael Jones, Music Editor
Jamie Talbut, Foley Editor
Julie Ankerson, Foley Artist
Outstanding Sound Editing For A Nonfiction Program (Single Or Multi-Camera)
Anthony Bourdain: Parts Unknown • “Okinawa” • CNN
Brian Bracken, Sound Editor
Nick Brigden, Co-Sound Designer
Cartel Land • A&E
Films for A&E IndieFilms
Ryan Collison, Sound Editor
Jonathan Fang, Sound Editor
Leslie Bloome, Sound Editor
Mark Filip, Sound FX Editor
Billy Orrico, Dialogue Editor
Sean Garnhart, Sound Designer
He Named Me Malala • National Geographic Channel
Skip Lievsay, Supervising Sound Editor
PK Hooker, Sound Editor
Susan Dubek, Dialogue Editor
Bill Bernstein, Music Editor
Making A Murderer • “Lack Of Humility” • Netflix
Daniel Ward, Sound Editor
Leslie Bloome, Foley Artist
What Happened, Miss Simone? • Netflix
Joshua L. Pearson, Sound Editor
Dan Timmons, Sound Designer
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Better Call Saul • “Klick” • AMC
Larry B. Benjamin, Re-Recording Mixer
Kevin Valentine, Re-Recording Mixer
Phillip W. Palmer, Production Mixer
Downton Abbey • “Episode 9” • PBS
Nigel Heath, Re-Recording Mixer
David Lascelles, Production Mixer
Game Of Thrones • “Battle Of The Bastards” • HBO
Onnalee Blank, C.A.S., Re-Recording Mixer
Mathew Waters, C.A.S., Re-Recording Mixer
Richard Dyer, Production Mixer
Ronan Hill, C.A.S., Production Mixer
House Of Cards • “Chapter 52” • Netflix
Scott R. Lewis, Re-Recording Mixer
Nathan Nance, Re-Recording Mixer
Lorenzo Millan, Production Mixer
Mr. Robot • “eps1.5_br4ve-trave1er.asf” • USA
John W. Cook II, Re-Recording Mixer
Bill Freesh, Re-Recording Mixer
Timothia Sellers, Production Mixer
Andrew Morgado, Foley/ADR Mixer
Ray Donovan • “Exsuscito” • Showtime
Robert Edmondson, Re-Recording Mixer
R. Russell Smith, Re-Recording Mixer
Harrison ‘Duke’ Marsh, Production Mixer
Outstanding Sound Mixing For A Limited Series Or Movie
Fargo • “Gift Of The Magi” • FX Networks
Martin Lee, Re-Recording Mixer
Kirk Lynds, Re-Recording Mixer
Michael Playfair, C.A.S., Production Mixer
The Night Manager • “Episode 5” • AMC
Howard Bargroff, Re-Recording Mixer
Aitor Bernguer, Production Mixer
The People v. O.J. Simpson: American Crime Story • “From The Ashes Of Tragedy” • FX Networks
Fox 21 Television Studios, FX Productions
Doug Andham, C.A.S., Re-Recording Mixer
Joe Earle, C.A.S., Re-Recording Mixer
John Bauman, C.A.S., Production Mixer
Sherlock: The Abominable Bride (Masterpiece) • PBS
Howard Bargroff, Re-Recording Mixer
John Mooney, Production Mixer
Peter Gleaves, ADR Mixer
Nick Wollage, Music Mixer
True Detective • “Down Will Come” • HBO
Daniel J. Leahy, Re-Recording Mixer
Steve Pederson, Re-Recording Mixer
Geoffrey Patterson, Production Mixer
Ron Bedrosian, ADR Mixer
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation
Modern Family • “The Storm” • ABC
Brian R. Harman, Re-Recording Mixer
Dean Okrand, Re-Recording Mixer
Stephen A. Tibbo, Production Mixer
Mozart In The Jungle • “Nothing Resonates Like Rhinoceros Foreskin” • Amazon
Andy D’Addario, Re-Recording Mixer
Thomas Varga, Production Mixer
Bill Higley, ADR Mixer
Chris Navarro, ADR Mixer
Silicon Valley • “Bachmanity Insanity” • HBO
Todd Beckett, Re-Recording Mixer
Elmo Ponsdomenech, Re-Recording Mixer
Ben Patrick, C.A.S., Production Mixer
The Simpsons • “Halloween of Horror” • FOX
Mark Linden, Re-Recording Mixer
Tara Paul, Re-Recording Mixer
Veep • “Congressional Ball” • HBO
John W. Cook II, Re-Recording Mixer
Bill Freesh, Re-Recording Mixer
Bill MacPherson, Production Mixer
Outstanding Sound Mixing For A Variety Series Or Special
Danny Elfman’s Music From The Films Of Tim Burton (Live From Lincoln Center) • PBS
Ken Hahn, Re-Recording Mixer
Paul Bevan, Production Mixer
Grease: Live • FOX
J. Mark King, Production Mixer
Biff Dawes, Music Mixer
Eric Johnston, Playback and SFX Mixer
Bob LaMasney, Audience Sweetener
Pablo Munguia, Protools Playback Music Mixer
Kevin Wapner, Foldback Mixer
John Protzko, Foldback Mixer
John Garlick, P.A. Mixer
Barrance D. Warrick, Monitor Mixer
Last Week Tonight With John Oliver • “Episode 225” • HBO
Charlie Jones, Music Mixer
Steve Watson, Audio Mixer
Steve Lettie, P.A. Mixer
Tony Rollins, Monitor Mixer
The Oscars • ABC
Paul Sandweiss, Broadcast Production Mixer
Tommy Vicari, Broadcast Music Mixer
Marc Repp, Broadcast Music Mixer
Pablo Munguia, Pro Tools Mixer
Michael Parker, Monitor Mixer
Tom Pesa, Orchestra Monitor Mixer
Patrick Baltzell, FOH Mixer
Kristian Pedregon, Post Production and Package Mixer
Bob LaMasney, Audience Sweetener
The Voice • “Episode 1018A” • NBC
Michael Abbott, Broadcast Production Mixer
Randy Faustino, Broadcast Music Mixer
Kenyata Westbrook, Reality Supervising Production Mixer
John Koster, Production Reality Mixer
Robert P. Matthews, Jr., Production Reality Mixer
Sterling Cross, Production Reality Mixer
Ryan Young, Re-Recording Mixer
Brian Riordan, Re-Recording Mixer
Tim Hatayama, Re-Recording Music Mixer
Eric White, Re-Recording Music Mixer
William Dietzman, Monitor Mixer/Music Mixer Reality
Eddie Marquez, Interstitial Playback Music Mixer
Christian Schrader, Supplemental Audio Mixer
Andrew Fletcher, House P.A. Mixer
Outstanding Sound Mixing For A Nonfiction Program (Single or Multi-Camera)
Anthony Bourdain: Parts Unknown • “Ethiopia” • CNN
Benny Mouthon, Re-Recording Mixer
Deadliest Catch • “Carpe Diem” • Discovery Channel
Bob Bronow, C.A.S., Re-Recording Mixer
Making A Murderer • “Lack Of Humility” • Netflix
Leslie Shatz, Re-Recording Mixer
Vice • “Fighting Isis” • HBO
Erik Schuiten, Re-Recording Mixer
What Happened, Miss Simone? • Netflix
Tony Volante, Re-Recording Mixer
Tammy Douglas, Production Mixer
The complete list of Emmy nominations, media credential applications, and other Academy news are all available at www.emmys.com.
