Mix Live Blog: Mixing Inside The Glasshouse International Centre for Music
Mix blogger/FOH engineer Steve La Cerra mixed at The Glasshouse International Centre for Music in the UK and liked what he saw—and heard!
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Mix blogger/FOH engineer Steve La Cerra mixed at The Glasshouse International Centre for Music in the UK and liked what he saw—and heard!
Scout volunteer Andrew Kemp has been using a mobile DHD.audio system to introduce UK...
At NAB Show New York, Calrec will demonstrate its IP-native ecosystem.
MOTU’s new OctaLite 16x12 USB audio interface fits into a half-rack unit.
The ATSC has approved a new Candidate Standard that establishes a foundation for the...
More of the panels, people and technologies on display at Mix's 13th annual gathering...
Avid, ASG, Sony, Google, Focusrite, Pro Sound Effects, OWC and many more showcase their...
The annual Mix Sound for Film & TV event returned to Sony Pictures Studios...
Oasis has filed a lawsuit to prevent the sale of concert, soundcheck and rehearsal...
Stewart Millager, previously 64 Audio’s COO, has been promoted to Fractional CEO.
Andrew Watt weighs in on having difficult conversations with artists and producing The Rolling...
In Part 2, producer Andrew Watt chats about his favorite gear and producing Paul...
In 1968, The Beatles recorded “Glass Onion” at Abbey Road; now an actual onion...
Songwriter-turned-superproducer Andrew Watt has been hitting the studio with music royalty.
Last Friday saw PMC Speakers take over Capitol Studios in Los Angeles for an...
Todd Whitelock, a 13-time Grammy-winning engineer, discusses his miking choices at New York’s famed...
MCCC students recorded original music with veteran session pros at the first Muscle Shoals...
The Mix Presents Sound for Film & TV event is TOMORROW! Are YOU Going?
National Sawdust has updated its spatial audio system, augmenting its Meyer Sound Constellation system...
Two European audio manufacturers will collaborate on a spatial audio system inside a new,...
Formetco recently refreshed the audio systems inside three Florida State University stadiums
The North Carolina house of worship recently updated its audio system with the help...
Der Josefstadt, located in Vienna, has installed a mixing system that enables engineers to...
Mercenary Magnetics' ADM Master QC app checks immersive audio ADM BWF masters against major-label...
Two new features—Channel Linking and Preferred Access Point—are intended to simplify wireless deployment in...
Intended for content creators, the Sony ECM-AX10 sports four capsules and can record...
Grammy-winning producer Sylvia Massy's new book, 'The Great Book of Vintage Microphones,' hits print...
Baby Audio’s latest plugin, HyperWarp, is a unique time-bending effect.
A rock legend in his own right, Alan Parsons shares how he engineered Pink...
Recording Prince and the Revolution's “Let’s Go Crazy” in October 1983 was baptism by...
With his sweet tenor voice and a tear in his vocal, Vince Gill defines...
Late one night in 1969, Robert Lamm returned home came home late from a...
Inside the creation of Lucinda Williams’ breakthrough, Grammy-winning masterpiece.
One of the rules of being on tour is never do a firmware update on the road. And then comes that one night when....
Sometimes we can lower our ambitions without even realizing it; recalibrating them, however, can remind you why they matter so much.
Few things grab a hold of us like Fear—Fear with a capital F. It makes us scream in a movie theater, grumble when we...
When the Twin Towers came down on September 11, 2001, one sound company was particularly affected: RSA Audio of Edgewood, NY.
The new $184 million Acrisure Amphitheater in Grand Rapids, Michigan is at loggerheads with nearby residents over noise from the venue. Can they find...
Microphones that captured crucial classic rock performances will hit the auction block in October.