news
Live from NAMM 2020: Solid State Logic
ndy Jackson, Product Manager at Solid State Logic (SSL), joined Mix Magazine Editor Tom Kenny at The NAMM...
news
Live from NAMM 2020: Mackie
Matt Redmon, Director of Product Management at Mackie, joined Mix Magazine Editor Tom Kenny at The NAMM Show
Live Sound
David Byrne: Big Performance, Small Stage
These Days David Byrne Is Burning Down a More Intimate House — Broadway’s Hudson...
Featured
MPSE Golden Reel Awards Winners Announced
The first sound for film & television awards of the season were handed out...
Featured
Oscar Noms 2020: Sound Editing, Sound Mixing
The nominees are in for Sound Editing and Sound Mixing at the 92nd annual...
Featured
It’s Film Sound Awards Season!
A Baker’s Dozen of Movies in the Hunt for Oscar, Golden Reel and CAS...
Films-TV
Making Music a Character
Icelandic Cellist/Composer Hildur Guònadóttir Finds Voice of Joker
news
Finneas on Fire
Self-Styled Producer/Songwriter on Billie Eilish, Reinvention and Original Sounds
Classic-Tracks
Classic Tracks: “Tainted Love”
Soft Cell’s Synth-Pop Dance Hit and the Emergence of Sampled Sounds
news
Happening Now! First Annual Auction to “Make Music Matter”
Grammy Music Education Coalition and Morgan Stanley team up, with prizes from Jack Black,...
Recording
Cross-Cultural Collaboration
Beyond Music Taps Producer Larry Klein to Explore Unity Through Song
Facilities
RPI Gets Immersive
Walters-Storyk Design Group integrates Audio-Video-3D in New Hass Media Center
Recording
The Recording World of Bob Suffolk
From Rock Star Days in London to the Studio Designer’s Life in Dallas
Facilities
Strange Weather, Hot Music
Marc Alan Goodman, Daniel Schlett and The Best Room in Brooklyn
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Live Sound
Mix Blog Live: Resurrecting an Audio Dinosaur, The Final Chapter
The Ampex 351 was working, but relatively noisy, so Steve La Cerra started replacing...
news
ITU Resolution Benefits Wireless Microphone Operators
Joe Ciaudelli, Sennheiser’s director of spectrum affairs, was selected to be a member of...
Live Sound
Mix Blog Live: A Legal Mess
The recent kerfuffle surrounding Taylor Swift singing her songs at the AMAs goes beyond...
New Products
Product of the Week: NEXO P+ Series P8 and P10 Point-Source Loudspeakers
NEXO is starting 2020 by expanding its P+ Series of point-source loudspeakers with the...
New Products
Product of the Week: Warm Audio Bus-Comp
Despite the accuracy and ease of use you get from analog-modeled digital plug-ins, there’s...
New Products
Winter NAMM Product Preview
A look at some of the products making their debut in Anaheim, Calif.
Soundworks Collection Interview Series
Recording
Classic Tracks: “Total Eclipse of the Heart”
Behind the Scenes of Bonnie Tyler’s Classic Earworm
Recording
Mix Blog Studio: Shake, Rattle and Roll
Mike Levine went to see an Oscar-nominated film in a Dolby Cinema and loved the experience... except for the trailers, which felt more like...
Recording
Mix Blog Studio: Together or Separately?
With two simultaneous recording projects in the works, Mike Levine finds himself working in two very different manners, both of which work just fine...
Live Sound
Mix Blog Live: Music for the Holiday Mood
Having a tough time staying in the holiday spirit? Here’s some music to lighten your mood, in no particular order… The Christmas Song, The...
Recording
Mix Blog Studio: Murphy’s Law, Home Studio Edition
Mike Levine has had more than a few niggling, frustrating things happen in his home studio lately, which led him to find out more...
Recording
Mix Blog Studio: What’s With Avid Updates?
Updating a DAW's software, and hardware, is a big deal, and Mike Levine is not a fan of the perceived push to move users...
Recording
Mix Blog Studio: Finding Beauty in the Dirt
Thoughts on parallel compression got Mike Levine thinking about applying parallel saturation to dirty up his guitar tracks in a mix.
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