Classic Tracks: Pink Floyd’s “Money”
A rock legend in his own right, Alan Parsons shares how he engineered Pink Floyd's classic inside the depths of Abbey Road.
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A rock legend in his own right, Alan Parsons shares how he engineered Pink Floyd's classic inside the depths of Abbey Road.
Recording Prince and the Revolution's “Let’s Go Crazy” in October 1983 was baptism by...
With his sweet tenor voice and a tear in his vocal, Vince Gill defines...
Late one night in 1969, Robert Lamm returned home came home late from a...
Inside the creation of Lucinda Williams’ breakthrough, Grammy-winning masterpiece.
It has been a good year for recorded music, according to the RIAA, with...
California's Senate and Assembly have passed a bill that offers tax incentives designed to...
First-time sponsor Google joins founding sponsors Avid, Focusrite, Sony, Meyer Sound and others to...
Pro audio executive Larry Italia, who led U.S. divisions of d&b audiotechnik and Yamaha...
Award-winning composer and 2x Oscar-winning supervising sound editor sit down to talk about “Fear,...
Historic Mahwah, N.J., home once housed the guitarist and recording pioneer’s hand-built studio and...
Najla Silmi, University of Rochester, and Nancy Rico-Mineros, Stanford University (CCRMA), receive $5,000 grants...
Versatile audio interface streamlines multi-project production process, simplifying setups and improving the vocal chain.
In 1936, The Gunter Hotel hosted a temporary studio that helped change music history;...
SongBoy Studios, a new Brooklyn facility designed by WSDG, aims for a welcoming but...
A portable Nu•Studio modular production environment was set up for a recent event with...
Producer/songwriter Adam Argyle (Dua Lipa, 5SOS) has incorporated an SSL Oracle into his studio....
The moody, 11-minute, open-ended, raga-rock opus "The End" was the centerpiece of the band's...
System integrator Arrow+Jay brought modern-day technology to an unusual worship facility.
John McMahon, a 20-year veteran of Meyer Sound, has been named chief operating officer...
As Alex Warren's production has grown onstage over the last year, so have the...
Philadelphia’s Highmark Mann Center for the Performing Arts now has an L-Acoustics L2D system...
Meyer Sound has installed a Tigra line array system in New York City’s David...
Waves’ eMotion LV1 Version 17 update introduces a new, streamlined interface, customizable workspaces and...
The two new stereo processor plug-ins in AIr Music Tech's Stereophonic Bundle aim to...
Penteo Audio Plugins has released Penteo version 8, which adds independent upmix decorrelation controls,...
At IBC 2026, DPA Microphones will introduce its new 6388 CORE+ headset microphone.
Eastern Acoustic Works has unveiled two new subwoofers for its Newport Series—the NT119S and...
“Respect Yourself” was released as a single in the fall of 1971, reaching #2...
"On the day we decided to work on the song, Leslie blew off the...
'Night Moves' was a good move for Bob Seger—both the Number One single...
Director Stanley Kubrick turned to a unique fusion of classical music themes and contemporary...
The live album that finally broke Cheap Trick in America had a treacherous journey...
Multiple items from the home studio of Jazz legend Dave Brubeck are hitting the auction block through mid-September.
Reverb plug-ins are familiar audio tools that get familiar results, but Eventide’s new Temperance plug-in sidesteps the familiar, breaking new ground as a Modal...
Storage, backups, file transfers and one-click copying-made-easy force artists to keep an eye—and heightened security—on unreleased tracks.
"At some point during the show, two-thirds of the right side of the P.A. system stopped working...."
Is it me or is there an unusually high correlation between the recording industry and the “foodie” industry?
Free and “pay-what-you-want” audio software has evolved into a music production staple—but is free any good?