Mixonline

The Enduring Style and Talent of Margarita Mix

The Enduring Style and Talent of Margarita Mix

PhoenixVerb

Tom Holkenborg

Red Hot Chili Peppers drummer Chad Smith and Hal Blaine at his home in Palm Desert, Calif., 2004.

The MPSE Filmmaker Award was presented to Director Antoine Fuqua.

A companion “audio room” for sound design and mixing.

Leading L.A. Post Facility Adapts, Thrives and Grows on a Foundation of Service and Sound

Mix engineer Richard Furch in his mixHaus Studio.

Award-Winning Mix Engineer With a Gift for Vocals

Larry-Klein-ASP_8443

Making Music That Makes People Stop, Think and Feel

Dream Theater Approved Gen Use Credit Jimmy Fontaine

John Petrucci, Jordan Rudess, Richard Chycki and the Creation of a Rock Opera

Rafa Sardina by Goggin_97

The Many Styles and Flavors of Music at After Hours

The most recent version of the Beam pickup, with ELF amplifier, designed by Paddock.

Living at the Nexus of Audio Meets Silicon Valley

The author, producer/engineer Wes Maebe, in RAK Studios control room 2, London.

$100,000 Can Buy a Whole Lot of Analog Punch and Flavor

Greg Parkin, VP/GM, North America, Iron Mountain Entertainment Services; and Maureen Droney, Recording Academy Managing Director, Producers & Engineers Wing.

Willie Nelson honored, API Co-Founder Saul Walker awarded technical Grammy, and Recording Academy Producers & Engineers Wing renews partnership with archive and preservation company Iron Mountain

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Quincy-MJ Concert copy

Jones will present the world-changing albums he created with Michael Jackson: Off The Wall, Thriller, and Bad, live in concert

Pavan Grewall mans his trusted DiGiCo SD10 console during 5SOS’ “Meet You There” tour.

5 Seconds of Summer's supports their 2017 hit record, Youngblood

Sound designer, mixer, engineer, audio coordinator Michael Abbott.

The Complexity and Adrenaline of Live Television Audio

S500m screen off side

Twinplex

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WEB-ChordPotion Opener 2

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Mexico’s Banda Sinfónica del Tlalnepantla in session in TEC’s new Studio A, a scoring room with variable acoustics and space to accommodate groups of up to 50 musicians.

Click Here to Explore

One of two extremely rare acetates of the rejected first mix of “Nights in White Satin,” cut on October 10, 1967, by mastering engineer Trevor Fletcher.

In 1966, pop music was changing drastically, and so were The Moody Blues.

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CA Crew March 17 2019_2

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