Classic Tracks: Christopher Cross’s “Ride Like the Wind”
Michael Omartian first encountered Cross’s music at a Wednesday morning A&R meeting, where all the Warner Bros. producers sat around a table, listened and handpicked their next projects.
Update your browser to view this website correctly. Update my browser now
Michael Omartian first encountered Cross’s music at a Wednesday morning A&R meeting, where all the Warner Bros. producers sat around a table, listened and handpicked their next projects.
Did Phil Spector really hold The Ramones at gunpoint in the studio? Ed Stasium...
"I knew 'Girls, Girls, Girls'—the song—was a hit from the first time I...
“The second day we were going to have a meeting,” says David Kershenbaum. “She...
The story behind “An American Dream," which put the Nitty Gritty Dirt Band back...
UMG will move into new recording studios, label offices, retail spaces and more above...
Sonance and Blaze Audio will exhibit their integrated audio solutions at InfoComm 2025.
Art and technology will intersect this Saturday as producer/engineers Chuck Ainlay and Ben Fowler...
Legendary producer, engineer, inventor and educator George Massenburg to sit down with three talented,...
PAMA has taken on a new challenge—fighting hearing loss—with the launch of its new...
Eight years after the Grammy-winning TajMo, two blues masters reunite to let the world...
Eight years after the Grammy-winning TajMo, two blues masters reunite to let the world...
Country supersrtar Keith Urban takes us inside his new studio—the legendary facility formerly known...
Country supersrtar Keith Urban takes us inside his new studio—the legendary facility formerly known...
WSDG has expanded its international network with the official renaming of ADA Acoustics &...
Studio owner Raúl Aliaga Lewis has upgraded his TOC Música facility in Chile with...
Two immersive spaces, with Focal 7.1.4 monitoring system in the main mix area, and...
Late jazz guitarist sends a posthumous love letter to his wife—and vice versa.
Marking its Diamond Anniversary, Formula 1 Racking kicked off its 75th year with a...
Arriving on schedule, Gateway Studios & Production Services (GSPS) has officially opened its massive...
FOH engineer Thom Pike captures the beat of Sleep Token's drummer, II, in expected—and...
Simplicity and versatility in a single, compact surface allows for both FOH mix and...
The 99-year-old Riviera Theatre has upgraded its console and P.A., and the audio improvements...
K-array will launch its latest lineup of offerings at InfoComm, including the new generation...
Røde has issued a new firmware update for its Wireless Micro mic line aimed...
MQA takes aim at impulse response, noise shaping and dither with two new plug-ins.
Funktion-One's new F61 compact loudspeaker will make its North American debut at InfoComm 2025.
Fender and PreSonus have combined forces to create an entry-level DAW/practice tool aimed at...
It's one of Elvis' best-known songs, but "Burning Love" nearly wasn't recorded by The...
Country music legend Merle Haggard recounts how he came to record the massive hit,...
“Right Time of the Night,” released in 1976, was all about firsts—and it was...
“When we first recorded ‘Riders on the Storm,’ it was a nice, light song—but...
The Cars' self-titled album is a quintessential new wave classic, taking the sound of...
Today marks the first annual National Roadie Day, and if you didn’t know, don’t feel bad; we didn’t know until late in the day,...
In which our intrepid live sound reporter visits a record store in Sacramento and walks out reminded once again why he loves music.
If you're a live sound person, this might be the best thing you'll see all day—or it might be nightmare fuel.
You never really know how things will go when you wake up on the morning of a big show....
File this one under “we almost didn’t make the gig.” Here’s the setup…