UK Composer Upgrades Converters
Composer Rafael Krux has added a Prism Sound Dream ADA-128 to his studio in South London.
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Composer Rafael Krux has added a Prism Sound Dream ADA-128 to his studio in South London.
Scoring composer Germaine Franco explains why she uses an arsenal of plug-ins even on her film music demos.
Fiedler Audio Spacelab Interstellar and Ignition plug-ins have been updated to integrate with the company's Dolby Atmos Composer.
Award-winning composer has worked on such titles as Marvel's Guardians of the Galaxy, James Bond 007: Blood Stone, Mass Effect and Headhunter.
Composer and musician Steve Mazzaro has a new Dynaudio monitor setup in his home studio in Los Angeles.
Composer Benjamin Wallfisch recounts how he created the subtle, almost spiritual score of director Ron Howard's gripping film, Thirteen Lives.
Sam Wale, composer / VP of Production at ALIBI Music, shares how to ensure production music you create conveys authentic emotion.
German composer and musician Klaus Schulze is considered by many to be one of the founding fathers of electronic music.
Composer Germaine Franco Finds Magical Realism in Music with the Instruments and Voices of Colombia
Oscar-winning composer/multi-instrumentalist Gustavo Santaolalla is preparing for a rare concert later this month.
With voting underway to determine the final five contenders for this year's Best Original Score Academy Award, Tom Kenny considers the highly competitive shortlist.
Christophe Beck details his creative process for bringing WandaVision to life through music, combining comedic and dramatic techniques to create an energetic, unique worldview.
Members of the audio team of 'tick, tick... BOOM!'—Production Sound Mixer Tod A. Maitland and Supervising Sound Editor Paul Hsu—will join Mix Sound For...
In this exclusive panel, Renee Tondelli and Daniel Pemberton discuss how they used sound and music to evoke the 1950s for 'Being The Ricardos.'
Composer Mark Mothersbaugh discusses his work on the Netflix animated film, 'The Mitchells vs. The Machines.'
British composer Dickon Hinchcliffe discusses his work creating the evocative score to back Maggie Gyllenhall’s directorial debut, ‘The Lost Daughter.’
Composer Scooter Pietsch has completed a new 350-square-foot studio at his home in collaboration with WSDG.
Episodes take you behind the scenes of Tom’s techniques and scores for Justice League: The Snyder Cut, Godzilla vs Kong, and Army of the...
Davies has composed for a variety of TV programs, from NBC's “Saturday Night Live” to CBBC's “Scream Street.”
Youki Yamamoto’s facility at Pinewood Studios in the UK was recently augmented with a pair of PMC monitors.
The PMC MB2 XBD-Passive monitors he has installed in his Pinewood Studio have given him plenty of reasons to be cheerful again.