‘Mix Presents Sound for Film: Awards Season’ Highlights ‘Maestro’ Audio Team
One of the highlights of this year’s free Mix Presents Sound for Film: Awards Season virtual event was the in-depth talk with the audio...
Update your browser to view this website correctly. Update my browser now
One of the highlights of this year’s free Mix Presents Sound for Film: Awards Season virtual event was the in-depth talk with the audio...
One of the highlights of this year’s free Mix Presents Sound for Film: Awards Season virtual event was the in-depth talk with the audio...
Watch the audio teams behind awards season’s biggest contenders—The Color Purple, Saltburn, Barbie, Air, American Fiction, Napoleon, Oppenheimer, Killers of the Flower Moon, Maestro...
David Esparza, Re-Recording Mixer/Supervising Sound Editor, and Mandell Winter, Supervising Sound Editor, discuss their work on the Civil War action drama, Emancipation.
Andrew DeCristofaro, Supervising Sound Editor, and Mark Paterson, Re-Recording Mixer, discuss their work on the new musical comedy, Spirited.
The audio pros behind 'Babylon' discuss how they used period sound -- and movie sound -- to evoke the feel of 1920s Hollywood.
Johnnie Burn, MPSE/AMPS, shares how he became involved with Jordan Peele's "Nope" more than six months before shooting began.
The audio team behind 'The Batman,' the hit reboot of the venerable DC Comics franchise, bring to light the work that went into the...
The audio team behind Baz Luhrman's hit biopic, "Elvis," discusses its work, challenges and successes bringing the sound of The King to the big...
The sound team behind director Alejandro G Iñárritu’s ‘Bardo’ discusses its work on the surreal film.
Mark Mangini, MPSE, shares how he explored the sounds of Mars in this stunning documentary Good Night Oppy about the roving Mars vehicle Opportunity.
Composer Benjamin Wallfisch recounts how he created the subtle, almost spiritual score of director Ron Howard's gripping film, Thirteen Lives.
The audio team behind director Ron Howard's stunning docudrama, 'Thirteen Lives,' discusses its work on the film.
The composer and audio team from Netflix's remake of All Quiet on the Western Front discuss their collaboration in this extensive interview.
Sound editor/sound designer Scott M. Gershin; Jon Taylor, Re-Recording Mixer; and Frank A. Montaño, Re-Recording Mixer discuss their work on ‘Guillermo del Toro’s Pinocchio.’
Find out how the sound team tackled audio for the stunning, action-filled sequel, Top Gun: Maverick.
Monika "Mona" Willi, Film Editor; Stephen Griffiths, Supervising Sound Editor; and Deb Adair, Re-Recording Mixer recount how they worked together on TÁR.