Bringing You The Music of Music’s Biggest Night
Without the skills of dozens of audio pros, Music's Biggest Night would just be a night.
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Without the skills of dozens of audio pros, Music's Biggest Night would just be a night.
Sky New Zealand has installed a Lawo mc²56 48-fader production console supplied and integrated by Professional Audio & Television.
Netflix has announced the addition of Spatial Audio for its Premium Plan subscribers, powered by Sennheiser’s AMBEO Spatial Audio technology.
Anthony Leo's 800 Pound Gorilla Media is an AV production company that specializes in recording and shooting comedy specials.
Yamil Martinez recorded a recent performance with Don Omar using a fully digital setup centered around Waves’ eMotion LV1 Live Mixer.
Engineer Lee Smith was recently tasked with mixing British recording artist Holly Humberstone’s live performance at the 2022 BRIT Awards.
The nominees for the 95th annual Oscars have been announced, including in the three sound and music categories.
Audio post-production house Levels Audio has expanded its animation department, adding pros Hunter Curra and James Singleton.
The British Academy of Film and Television Arts' nominees for its annual EE BAFTA best sound and original music categories awards have been named.
The UK-based Association of Motion Picture Sound, AMPS, has announced the nominees for its 10th Annual Awards for Excellence in Sound.
Cinematographer Evan B. Stone also records when on location in extreme locations, like the Ural Mountains of Western Siberia.
The Cinema Audio Society has announced the nominees for the 59th Annual CAS Awards for Outstanding Achievement in Sound Mixing 2022.
Nuno Fonseca, CEO/Founder of Sound Particles, shares how an academic career teaching both computer science and music technology led to the creation of his...
The Motion Picture Sound Editors (MPSE) has announced its nominees for the 70th Annual MPSE Golden Reel Awards.
HBO’s director of post production sound, Glen Schricker, was sound supervisor and lead re-recording mixer for revamping 'Sex and the City' in Dolby Atmos.
Unions are lobbying for Performing Artist Tax Parity Act (PATPA), which would help entertainment workers deduct required work expenses.
Peter Lawo, founder of the German broadcast and media technologies company that bears his name, has died at 85.
David Esparza, Re-Recording Mixer/Supervising Sound Editor, and Mandell Winter, Supervising Sound Editor, discuss their work on the Civil War action drama, Emancipation.
Andrew DeCristofaro, Supervising Sound Editor, and Mark Paterson, Re-Recording Mixer, discuss their work on the new musical comedy, Spirited.
The audio pros behind 'Babylon' discuss how they used period sound -- and movie sound -- to evoke the feel of 1920s Hollywood.
Johnnie Burn, MPSE/AMPS, shares how he became involved with Jordan Peele's "Nope" more than six months before shooting began.
Despite having 15 weeks total for post sound, The Woman King's richly layered and vibrant soundtrack doesn’t suggest a compressed schedule at all.
The audio team behind 'The Batman,' the hit reboot of the venerable DC Comics franchise, bring to light the work that went into the...
The sound team behind director Alejandro G Iñárritu’s ‘Bardo’ discusses its work on the surreal film.
Mark Mangini, MPSE, shares how he explored the sounds of Mars in this stunning documentary Good Night Oppy about the roving Mars vehicle Opportunity.
Composer Benjamin Wallfisch recounts how he created the subtle, almost spiritual score of director Ron Howard's gripping film, Thirteen Lives.
The audio team behind director Ron Howard's stunning docudrama, 'Thirteen Lives,' discusses its work on the film.
The composer and audio team from Netflix's remake of All Quiet on the Western Front discuss their collaboration in this extensive interview.
Sound editor/sound designer Scott M. Gershin; Jon Taylor, Re-Recording Mixer; and Frank A. Montaño, Re-Recording Mixer discuss their work on ‘Guillermo del Toro’s Pinocchio.’
Find out how the sound team tackled audio for the stunning, action-filled sequel, Top Gun: Maverick.
Monika "Mona" Willi, Film Editor; Stephen Griffiths, Supervising Sound Editor; and Deb Adair, Re-Recording Mixer recount how they worked together on TÁR.
Production sound mixer Lawrence Chick used his RF gear to capture the paranormal instigations of 'Don’t Look at the Demon,' reportedly the first Malaysia-made...
The MPSE will honor supervising sound editor Gwendolyn Yates Whittle with its 2023 Career Achievement Award.
Focus Features, AppleTV+ and Universal have all announced their participation in the upcoming Mix Presents Sound for Film: Awards Season virtual event.
NEP Group has purchased four Calrec ImPulse systems this year for use in three of its Supershooter trucks.
Geoffrey Patterson offers some perspectives on the evolution of wireless and sound-for-picture.
Paramount, Warner Bros. Pictures and Netflix have all announced their participation in the upcoming Mix Presents Sound for Film: Awards Season virtual event.
Emerson College has performed a major upgrade of its broadcast audio capabilities at its downtown Boston main campus.
Sound experts from Amazon Prime, Disney+ and Netflix will weigh in on the next AES Academy event.
Awards Season 2023 is underway as Mix Presents Sound for Film: Awards Season returns.
Lectrosonics wireless gear is central to the production sound work of Michael Wynne, CAS, who recorded Hulu’s new 'Tell Me Lies' series.
Top mixers joined Focusrite Pro to discuss the shift toward independent mixing and how it’s benefited their careers.