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The Sound of ‘Being The Ricardos’
In this exclusive panel, Renee Tondelli and Daniel Pemberton discuss how they used sound and music to evoke the 1950s for 'Being The Ricardos.'
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The Sound of ‘Respect’
Respect's executive music producer Stephen Bray, music editor Suzana Peric and re-recording mixer Paul Hsu talk about the setup on the set, challenges of...
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The Sound of ‘King Richard’
KING RICHARD | Go Behind the Scenes with Supervising Sound Editor/Designer Richard King and Re-Recording Mixer Ron Bartlett.
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The Sound of ‘No Time To Die’
James Bond has always had the backup of MI6, but for his latest film, 'No Time To Die,’ 007 had the support of a...
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The Sound of ‘House of Gucci’
The sound team behind 'House of Gucci' discuss how they met numerous challenges during production, including evoking different eras and locations in the epic...
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EXCLUSIVE: Mix Sound For Film—Awards Season Audio Panels
Exclusive panels with the sound teams behind this year's top awards season contenders!
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The Sound of ‘The Matrix: Resurrections’
Sound designer/supervising sound editor Dane Davis and supervising sound editor Stephanie Flack discuss working on The Matrix: Resurrections.
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The Sound of ‘Cyrano’
Supervising sound editors/re-recording mixers Becki Ponting and Craig Berkey went to great lengths to integrate the dialogue and songs of 'Cyrano.'
Films-TV
The Period Sound of ‘Passing’
Capturing the intimate dialogue of a noisy 1920s New York City meant using the tools of the 2020s—including Dolby Atmos.
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Sound Mixer Captures Dialogue for Netflix Hit
Veteran sound mixer Leandro Lima discusses capturing all the dialogue for Sintonia, an international Netflix hit.
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AIMS Board of Directors Re-Elected for 2022
The Alliance for IP Media Solutions (AIMS) announced that the AIMS Board of Directors will serve once again in 2022.
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MPSE to Honor Ron Howard at Golden Reel Awards
The Motion Picture Sound Editors will honor Academy Award-winning director and producer Ron Howard with its annual Filmmaker Award.
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VIDEO: Technology and Workflow—What’s Changed, What’s Next?
In this expert panel, top creatives and technologists explore how workflows and production processes have changed due to the pandemic.
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VIDEO: The Rebirth of Sound Design: Music, Effects and the Unified Edit
In this panel from the Mix Sound for Film & Television event, top music editors, supervising sound editors and sound designers discuss their favorite...
Films-TV
VIDEO: Thomas Dolby, Wylie Stateman Talk Sound
Musician/educator Thomas Dolby and sound designer Wylie Stateman share their insights and explorations into music, effects, composition, new media and what we can learn...
Films-TV
Stealing Back the Time to Be Creative: Integrated Efficiencies in Post-Production Workflow
In this exclusive panel from the Mix Sound for Film & Television event, re-recording mixer Eric Hoen, VICE Media Group Head of Post-Production Mark...
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Video: Connection, Control and Playback—What You Need to Know Before Building an Immersive Studio
In this exclusive panel from the Mix Sound for Film & Television event, Focusrite, Genelec, Dolby and Netflix representatives discuss the foundations of an...
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Video: Emerging Technologies and Workflows in Sound and Picture
Pros from Meyer Sound, Sony, Dolby and Netflix share how they created a cutting-edge reference-level screening lab on Netflix's L.A. campus.
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Taking Location Sound to New Heights
Location production sound mixer Donovan Murphy recently captured audio for a documentary on work crews that climb towers and bridges.
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Video: Mark Mothersbaugh on Composing for ‘The Mitchells vs. The Machines’
Composer Mark Mothersbaugh discusses his work on the Netflix animated film, 'The Mitchells vs. The Machines.'
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Finding the Score of ‘The Lost Daughter’
British composer Dickon Hinchcliffe discusses his work creating the evocative score to back Maggie Gyllenhall’s directorial debut, ‘The Lost Daughter.’
Films-TV
Inside The Sound of ‘The Guilty’
‘The Guilty’ is a powerful hit for Netflix. In this exclusive panel from the Mix Sound for Film & Television event, the film's sound...
Films-TV
‘The Power of the Dog’ Audio Team Shares Process, Insights
'The Power of the Dog' is one of the year's most talked-about films. In this exclusive panel from the Mix Sound for Film &...
Facilities
RPS is All in on Calrec
One of Ross Production Services’ six-camera OB Sprinter vans has been outfitted with a 96-channel Calrec Brio audio console.
Films-TV
Programming, Mixing and Collaborating with Billie Eilish and FINNEAS
When it comes to working with Billie Eilish and FINNEAS, Aron Forbes is more than a music director, helping guide the audio side of...
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Audio Animals Debuts Dolby Atmos Room
Online mixing and mastering studio Audio Animals installed PMC monitors in its new Dolby Atmos studio.
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Sound Designer Gives Voice to ‘3 Days Rising’
Sound plays a pivotal role in the upcoming horror/thriller film '3 Days Rising,' which was a challenge to sound designer Bob Pepek.
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MBC Group Upgrades IP Capabilities at Dubai Studio City
MBC Group recently upgraded its audio infrastructure with AES67/RAVENNA-compliant Lawo IP equipment.
news
Survey: Women Making Inroads Into Game Audio Industry
Women have made significant inroads into Game Audio, according to the new 2021 edition of GameSoundCon’s annual industry survey.
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AES Makes Streaming Loudness Recommendations
The new document, released by the Audio Engineering Society, aims to provide loudness recommendations for audio streaming and on-demand distribution.
news
See ‘Mix Sound for Film & TV 2021’ On-Demand for Free!
Did you miss Mix Sound for Film & TV 2021 this year? Maybe you went and wish you could have shared some of the...
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Mediaset Transitions to All-IP Infrastructure
Mediaset has taken delivery of eight SSL System T platforms for installation as it transitions to an all-IP infrastructure.
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Studio Berlin Debuts AoIP OB Truck
German TV production service provider Studio Berlin’s new UHD/HDR OB truck, Ü10, is outfitted with Lawo consoles.
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Capturing Good Sound for Bad Sport
Sound mixer Nico Pierce recently wrapped work on the first episode of the new documentary series Bad Sport.
news
Sound Devices Acquired by Audiotonix
Sound Devices has been acquired by Audiotonix, parent company to Allen & Heath, Calrec, DiGiCo, DiGiGrid, Group One, KLANG and SSL.
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Jaime Baksht and Estudio Astro LX
From Pan’s Labyrinth to the Oscar-winning Sound of Metal, film mixer Jaime Baksht has drawn international attention to Mexico City.
Films-TV
73rd Engineering Emmy Awards Announced
The Television Academy has announced the 73rd Engineering Emmy Awards, with awards going to Netflix’s Reed Hastings, Dolby Labs and eight others.
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Harvard Athletics Reworks Its Sports Broadcasts
Harvard University Athletics, which has grown its sports broadcasts over recent years, has revamped how it delivers audio during productions.
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Vogel Beats the Heat on ‘Renovation Goldmine’
Location sound mixer Matt Vogel put his Lectrosonics wireless equipment to the test on HGTV’s 'Renovation Goldmine.'
Events
What to See at Mix Sound for Film and Television!
There's lots to see and do at this year’s Mix Sound for Film and Television virtual event—here's what's happening!
news
Wylie Stateman, Thomas Dolby to Keynote Mix Sound for Film & TV Event
Wylie Stateman and Thomas Dolby will co-keynote with “What We Talk About When We Talk About Sound" at the free Mix Sound for Film...
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The Future of Immersive and Integrated Post at Mix Presents Sound for Film & TV
Discover the future of Immersive and Integrated Post with the panel 'Emerging Technologies and Workflows in Sound and Picture.'