Mix’s Gear of the Year 2022, Part 2
The Mix editorial team concludes its look back at the latest pro-audio advancements with Part 2 of its annual Gear of the Year summary.
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The Mix editorial team concludes its look back at the latest pro-audio advancements with Part 2 of its annual Gear of the Year summary.
Australian singer/songwriter Courtney Barnett spent much of 2022 touring the world, opening for the likes of Nick Cave and the Rolling Stones, and more.
The NHL's Minnesota Wild got a different kind of win recently when its home arena, the Xcel Energy Center, installed a new Meyer Sound...
Lindell Audio has unveiled its LiN2A Vintage Leveling Amplifier, bringing modern features and manufacturing to its take on a popular vintage dynamics processor.
The Audio Engineering Society will receive a Technical Grammy Award during the Grammy Week celebration in February 2023.
Calrec has launched its new ImPulse1 IP audio processing and routing engine, a compact 1U solution.
Audio engineer Kyle Chirnside mixed FOH on an Allen & Heath SQ console for artist Max Schneider's fall tour.
Mars is releasing limited edition M&M packs that will financially help She Is The Music and We Are Moving the Needle.
The editorial team looks back at the latest pro-audio advancements with its annual Gear of the Year summary.
Baby Audio's latest free plug-in, Pitch Drift, creates pitch fluctuations with the aim of making tracks feel more organic and natural.
Mesanovic has introduced its second speaker, the CDM65, a 3-way active studio monitor speaker.
Plug-in house Sonnox was acquired by Focusrite Group and became part of the larger pro-audio conglomerate in late December.
The Hard Rock Live Sacramento has a new audio system designed by Scéno Plus and implemented by Clair Global.
Less than two months after it released Smaart v9, Rational Acoustics unveiled the first major update for the revamped measurement platform.
The Al Wasl Dome was recently repurposed into a 3,000-seat concert venue, opening with an A.R. Rahman concert, mxied by Phil Wright.
World Stage Lighting recently fielded an EAW Anna/Otto system for a Smash Mouth concert at Seven Feathers Casino Resort.
The Coca-Cola Company, Mark Ronson and Madlib have teamed up to introduce Recycled Records, which is being launched with an original EP made up...
Ross Lara built Archipelago Entertainment for music production, film scoring, game audio, audio branding and content development.
Immersive audio platform Artist Connection will stream Auro-3D via WiFi for the first time ever at the Consumer Electronics Show.
Sommer Cable has unveiled its new multicore 4.0 mm² SC Elephant Robust series SPM2440 speaker cable.
HBO’s director of post production sound, Glen Schricker, was sound supervisor and lead re-recording mixer for revamping 'Sex and the City' in Dolby Atmos.
Georg Burdicek has built a remote recording van outfitted with a Lawo mc²36 MkII mixing desk.
KV2 Audio's new ESD8 is a compact, passive 2-way, high output full-range loudspeaker.
A Bad Think’s new release, X, is the first album to be mixed by Bob Clearmountain in Dolby Atmos for the musical project.
Unions are lobbying for Performing Artist Tax Parity Act (PATPA), which would help entertainment workers deduct required work expenses.
Music producer and mixing engineer Alex Solano, owner of Alex Pro Mix, discusses his Atmos mixing plug-in preferences.
Peter Lawo, founder of the German broadcast and media technologies company that bears his name, has died at 85.
Andrew DeCristofaro, Supervising Sound Editor, and Mark Paterson, Re-Recording Mixer, discuss their work on the new musical comedy, Spirited.
The audio pros behind 'Babylon' discuss how they used period sound -- and movie sound -- to evoke the feel of 1920s Hollywood.
Johnnie Burn, MPSE/AMPS, shares how he became involved with Jordan Peele's "Nope" more than six months before shooting began.
The audio team behind 'The Batman,' the hit reboot of the venerable DC Comics franchise, bring to light the work that went into the...
The audio team behind Baz Luhrman's hit biopic, "Elvis," discusses its work, challenges and successes bringing the sound of The King to the big...
The sound team behind director Alejandro G Iñárritu’s ‘Bardo’ discusses its work on the surreal film.
Mark Mangini, MPSE, shares how he explored the sounds of Mars in this stunning documentary Good Night Oppy about the roving Mars vehicle Opportunity.
Composer Benjamin Wallfisch recounts how he created the subtle, almost spiritual score of director Ron Howard's gripping film, Thirteen Lives.
The audio team behind director Ron Howard's stunning docudrama, 'Thirteen Lives,' discusses its work on the film.
The composer and audio team from Netflix's remake of All Quiet on the Western Front discuss their collaboration in this extensive interview.
Sound editor/sound designer Scott M. Gershin; Jon Taylor, Re-Recording Mixer; and Frank A. Montaño, Re-Recording Mixer discuss their work on ‘Guillermo del Toro’s Pinocchio.’
Find out how the sound team tackled audio for the stunning, action-filled sequel, Top Gun: Maverick.
Monika "Mona" Willi, Film Editor; Stephen Griffiths, Supervising Sound Editor; and Deb Adair, Re-Recording Mixer recount how they worked together on TÁR.
Gold-Diggers in Los Angeles has transformed two studios into immersive audio music mixing rooms.
Sony Electronics has a new digital wireless plug-on transmitter: the DWT-P30.